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Aug 1, 2005 12:00 PM
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Recording Instruments:
Integrating Real Sounds
October 29th
Brought to you by Ex'pression College for Digital Arts and Remix
If you're a producer of hip-hop, electronic or other types of music and want tips on incorporating recorded acoustic instruments into mostly-electronic productions don't miss this webcast.
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Nashville Stories
Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.
Remix Hotel News
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Remix Hotel Atlanta 2008: Sept. 18-20 |
he Remix Hotel juggernaut is heading back to SAE Atlanta„with Partners Rane, Serato, Pioneer, Roland, iStandard and others„for another technology-filled weekend of classes, panels and guest appearances. And this year, All Access registration gets you FREE entrance to the Atlantis Music Conference and Festival! That means double the panels, performances and more. Register today!.
This Month in Mix
Hobbs
Motorhead has been criss-crossing the U.S., booking small theaters to celebrate their 30-year anniversary. These godfathers of metal are co-headlining with Corrosion of Conformity, carrying only the necessities: minimum gear, longtime engineers and enough dB to announce that metal is back. Mix caught up with Hobbs, Motorhead's FOH engineer.
You've been the band's FOH engineer since '82. Has your technique changed?
My engineering has changed only insofar as I am using newer technology (or gadgets) to help counter the ever-increasing stage volume. I have tweaked the gear, but I'm not sure that “refined” suits the band!
What are you carrying?
We are carrying everything except racks and stacks. I requested a Heritage 3000, but you know how budgets can be! The XL200 is a good board and we have a Midas [monitor board] — my favorite. I have a rack of outboard gear.
Going into different venues just about every night — and hence, new P.A. setups — how do you work around that?
My only technique is equalizing the P.A. I get as near as possible to the same sound every night and can then mix with minimal changes to the board settings. I use pink noise and an analyzer to quickly identify peaks and troughs and then EQ by ear using a CD. I then tweak during sound-check and again at the beginning of the show to accommodate the changes caused by having an audience in the gig.
There is a Motorhead “mixing stick” joke (a 2×4 is put down at the edge of the FOH board and the engineer raises it — simultaneously raising all of the faders up) going around. Care to divulge?
The “mixing stick” was a Motorhead joke based on the “everything louder than everything else” philosophy. It never existed and, hopefully, never will!
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 