Cool Spin: Jackie Greene, American Myth (Verve/Forecast)
Apr 3, 2006 7:28 PM
Most Popular
advertisement
Polls
Free Live Webcast:
Understanding Bass Management
With Bob Hodas, November 20th
Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.
Check out our other webcasts here.
Mastering Stories
Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.
Remix Hotel News
 |
Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008 |
Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .
This Month in Mix
Breaking away somewhat from his rep as the latest “new Dylan” (a mantle he wears better than most), Sacramento, Calif., singer-songwriter Jackie Greene hands over the production reins for this—his major-label debut after a few indie discs—to Steve Berlin (see the April 2006 “Producer’s Desk”) with stunning results. Stylistically, this album covers a lot of ground, from all-out rockers to hard, bluesy rambles, to introspective acoustic guitar-based tunes. But there’s overall intelligence and unity of purpose coursing through all these songs that make them feel like different snapshots of the same person—which they are, of course. The main band—Val McCallum, Davey Faragher and Pete Thomas (ably assisted by the likes of Berlin and steel guitar titan Greg Leisz)—sound like they’ve been playing with Greene forever, and Greene adds much to the brew with his sturdy fingerpicking and varied keyboard textures. Nearly all the songs deal with the beauty, misery, mystery and complications of the human heart—in “Love Song; 2 a.m.” he wonders about the allure of a female friend: “Maybe it’s the perfume that I know she doesn’t wear/Maybe it’s the way she dances when she thinks there ain’t nobody there.” Then on the very next song, he tells his girl, “Maybe it’s just better that you never stay/I love you more while you’re walking away.” Good stuff. And if “new Dylan” is what you’re after, check out the epic “Supersede,” which sounds like it could’ve been lifted from Blonde on Blonde—and has that kind of power, too.
Producer: Steve Berlin. Engineer: Mark Johnson. Mixed by Robert Caranza & Chris Shaw. Recording Studios: Sage & Sound, Sonora Recorders, Redstar (all in Hollywood). Mixing Studio: Glenwood Place (Burbank, CA), Avatar (New York City). Mastering: Robert Hadley/The Mastering Lab. —Blair Jackson
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 