Gighouse Recording Studios Installs Prism Sound Converters
Dec 1, 2006 1:08 PM
Most Popular
advertisement
Polls
Free Live Webcast:
Understanding Bass Management
With Bob Hodas, November 20th
Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.
Check out our other webcasts here.
Mastering Stories
Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.
Remix Hotel News
|
Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008 |
Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .
This Month in Mix
Engineer and producer Andie Thomson (pictured) installed three Prism Sound ADA-8 converters and a DA-2 converter in his Gighouse Recording Studio complex in Warwickshire, UK. Thomson is using the converters with MOTU Digital Performer 5. Thomson also invested in Prism Sound's new FireWire I/O Module.
"I was contacted by Prism Sound and it became apparent that they had a solution to my problem in the shape of an ADA-8 with FireWire option," Thomson explains. "I [tested] the units and was very impressed with the quality of the audio. The midrange and low midrange is much more detailed, which allows vocals and midrange instruments to be very clearly defined. There's also a real warmth to the sound, which is something I've wanted for a very long time."
Thomson adds that blind comparison tests carried out on visiting artists and engineers reinforced his decision to buy the units. "The most crucial component in the digital recording environment is high-quality A/D conversion," he adds. "Everyone who has heard the new units has preferred them, and they are now used as standard on all digital sound sources, including mixdown, remixing and mastering. They are particularly good for mastering applications, which I tend to do in the analog domain, because they don't color the sound or compromise the original recording."
For more information, visit www.prismsound.com and www.gighouse.co.uk.
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95









Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more.