Dame Edna, Back With a Vengeance! With Sennheiser Wireless
Mar 18, 2005 7:36 PM, By Mix Editors
Most Popular
advertisement
Polls
TalkBack
Mix goes in-depth into the world of mastering. Tell us how mastering has helped your projects in the past. E-mail us at mixeditorial@mixonline.com.
This Month in Mix
The latest show by Australian comedian Barry Humphries, Back With a Vengeance! has just been extended through June 4, 2005, at Broadway's Music Box Theatre, where Dame Edna’s every insult is delivered through Sennheiser wireless equipment.
Show sound designer Dan Scheivert, VP of Saratoga Springs, N.Y.–based sound company OMNItech, reports, "Sennheiser SK5012 transmitters are being used just for Dame Edna. He's one of those artists where everything has to be right all the time, so we obviously picked the best that's out there. Right now, the 5012s are one of the most reliable out there."
The SK5012 ultra-compact bodypack is used with an ultra-miniature lavalier microphone. "It's the smallest possible combination we could get," Scheivert explains. "It's a system we've devised to make the smallest possible setup for him because the mic is worn in his glasses."
Dame Edna is joined onstage during several song-and-dance numbers by a pair of female dancers, dubbed “The Ednaettes,” and two male dancers, “The TestEdnarones.” "They're using Sennheiser SK50 transmitters," says Scheivert. "We love the SK5012 and SK50 because of their reliability and the way they sound. We've used different transmitters, but the 5012s and the 50s are the best combo for us and the most reliable."
Act 2 includes a film sequence highlighting the life of Dame Edna, during which a long shotgun microphone equipped with a Sennheiser SKP30 is put to use. Scheivert explains, "It's a plug-on transmitter that we stick on a shotgun to pick up the characters [audience “volunteers”] that he calls onstage.
"We use the transmitter on the back so the actor operating the boom doesn't have any cords flying around because he's walking around a table. We also use a Sennheiser MZW70 blimp windscreen and MZS20 mount with the shotgun."
Six Sennheiser EM3032 true-diversity receivers are also in use, together with Sennheiser antenna boosters and distribution. "The receivers are used for the wireless transmitters and also two handhelds. There's a handheld for the piano player, who uses a Sennheiser SKM3072-U, and we also have one as a backup."
With Broadway's reliance on wireless equipment, says Scheivert, "There's so much more RF than there used to be. There are theaters all over, and everybody is using Sennheisers. When we got in at the Music Box, there wasn't anybody next door to us, so we locked in our frequencies. When the next show went in, my assistant went over with a list, as well as being provided a list from the designers next door."
For more information on the Sennheiser products listed, please go to www.sennheiser.com. For more touring news, visit mixonline.com/livesound/tours.
Acceptable Use Policy blog comments powered by Disqus
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95






Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more.
AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound