Performing Arts Brings in XTA
Jun 5, 2006 4:33 PM
Most Popular
advertisement
Polls
TalkBack
Why are ÒbigÓ sound systems going into not-so-big halls?? E-mail us at mixeditorial@mixonline.com.
Remix Hotel News
![]() |
Remix Hotel Miami 2009 |
Videos of master classes, panels and artist sessions now live!
This Month in Mix
The Royden B. Davis S.J. Performing Arts Center opened on November 12, 2005, on the campus of Georgetown University (Washington, D.C.). The center provides advanced facilities for both the music and theater arts programs at Georgetown via two separate theaters within the center. Both spaces have highly flexible sound, thanks to the inclusion of XTA’s DP Series loudspeaker management systems and the XTA GQ600 EQ.
The new building features Georgetown’s first proscenium theater, equipped with orchestra pit and fly space; a “black box” studio theater lending itself to broader range of productions; four traditional classrooms and three lab spaces, including a scene shop and a theater art design space; and a box office, dressing rooms and faculty offices. The sound systems in the theaters—EAW MK Series speakers in an LCR configuration—required the ability to adapt to a wide range of uses for the spaces by both departments.
Howard Rose, senior electro-acoustic consultant for Jaffe Holden Acoustics, which designed the Center’s acoustics, needed precise speaker control and exceptional sonic performance, spec'd the XTA DP Series speaker management processors—a DP226 and two DP224 units were used—and the XTA GQ600 EQ, with two placed in each theater. The Davis Center’s broad range of users also required that the system have sophisticated software and a high level of secure access.
“The proscenium theater has a hydraulic pit that can go from being an orchestra pit to becoming an extension of the front of the stage, and that has a significant effect on the sound in the theater, especially the front-fills,” Rose explains. “We wrote a preset for each setting, allowing the system to instantly reset itself for however the theater is being used. That’s important in an academic setting, because each department has very different ways they use the same space. We also created a no-delay setting, so that visiting performers can set their own delay values according to their performance needs.”
For more information on XTA, visit its U.S. distributor, Group One Ltd., at www.g1limited.com. For more on Jaffe Holden Acoustics, visit www.jhacoustics.com.
Acceptable Use Policy blog comments powered by Disqus
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95







Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more.
QSC Q-Sys Integrated System Platform
Inside Odds On Records and Studios