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Free Live Webcast:
Understanding Bass Management
With Bob Hodas, November 20th
Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.
Check out our other webcasts here.
Mastering Stories
Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.
Remix Hotel News
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Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008 |
Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .
This Month in Mix
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HOME ACOUSTICAL PRODUCTS CABLES, PATCHBAYS & CONNECTORS CD/DVD DUPLICATORS COMPUTER HARDWARE/SOFTWARE DIGITAL AUDIO WORKSTATIONS/EDITORS DIGITAL CONVERTERS MICROPHONES (INCLUDING WIRELESS) MIXING CONSOLES PRODUCTION MUSIC LIBRARIES & SOUND EFFECTS RECORDING DEVICES SIGNAL PROCESSING HARDWARE/SOFTWARE SIGNAL ROUTERS & SWITCHES STUDIO MONITORS SYNC, AUTOMATION & CONTROL TEST EQUIPMENT OTHER PRODUCTS |
BROADCAST DEVICES ACS-300: The ACS-300 is designed to accept six balanced audio channels for the purpose of dimming and muting for monitor applications. The ACS-300 can be used between a 5.1 audio decoder and monitor amplifier to control audio dimming and muting. The mute function can also be assigned to individual channels or groups of channels for mixing and/or production applications. The ACS-300 can accept simple ground closure from an intercom system to initiate the dim or mute functions. The dim level is user-adjustable for 10, 20 or 30 dB of muting. The ACS-300 accepts balanced -10, 0 or +4dBm input and has a nominal output of +4 dBm on each output. High-quality solid-state audio switching is used throughout, eliminating the possibility of pops and clicks at monitor outputs. NAB Booth: N3304. 5 Crestview Ave. Cortlandt Manor, NY 10567 914/737-5032; fax 914/736-6916 www.Broadcast-Devices.com FRONTIER DESIGN GROUP TRANZPORT: TranzPort is a wireless remote controller for DAWs running Pro Tools, SONAR, Logic, Cubase, Digital Performer and other software in Windows 2000/XP and Mac OS X. TranzPort lets you arm tracks, use transport controls, set markers, adjust pans, punch in/out, display signal levels, timecode position, track names and more. TranzPort can be mounted on a mic stand, has a footswitch input, runs on AA batteries, requires one USB port and uses high-frequency radio waves (RF) without causing interference. HORITA BSG-50: The BSG-50 multiple output blackburst, sync pulse and audio tone generator provides an economical means for generating the most common RS-170A video timing signals used to operate and synchronize various professional video and audio devices. List price: $349. NAB Booth: C10120. HORITA TR-100 SMPTE TIMECODE READER: The TR-100 is a search-speed LTC reader that automatically selects between 24 fps, 25 fps, 29.97 fps, and 30 fps timecodes. The TR-100 also translates SMPTE timecode to MIDI timecode for use in A/V and multimedia projects. List price: $449. NAB Booth: C10120. SPL MODEL 2489 SURROUND MONITOR CONTROLLER: The Model 2489 offers one-point stereo and 5.1 volume control, source and speaker management for surround and stereo production. The advantages of the SMC become especially apparent with modern audio and video production tools such as Pro Tools, Nuendo, Cubase, Logic, Deck, etc. One of SMC’s biggest advantages is the possibility to manage several input sources; i.e., for comparing and monitoring SACD or DVD material. TDL TECHNOLOGY MODEL 457 AUDIO CONTROL CENTER: This versatile unit can serve as a master volume control and performing real-time comparisons of CD players, FM tuners, phono preamps and other program sources, in addition to power amps and speaker systems. The 457 has six stereo inputs, two “always selected” stereo outputs and three switch selected stereo outputs. It is housed in a 2U rack enclosure. |
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