ATC’s on the Move With Fred Vogler

Mar 11, 2004 12:00 PM, Editors

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Whether he is working as a recording, broadcast or live sound engineer, producer, sound designer, post-production editor or musician, Fred Vogler monitors through ATC (Acoustic Transducer Company) reference loudspeakers.

As head of recording and music producer for the Los Angeles Opera, which is based at the Dorothy Chandler Pavilion, Vogler used his ATC SCM50s to capture the opening of the company's 18th season in high-resolution digital audio to accompany a multicamera HDTV video shoot.

The 5.1-channel surround, 24-bit/96kHz mixes of the L.A. Opera's first week performances of "La Damnation de Faust," by Hector Berlioz, and the world premier of Deborah Drattell's "Nicholas and Alexandra," featuring the company's general director, Plácido Domingo, will shortly be underway.

Vogler also used the SCM50 reference monitors when mixing the Walt Disney Concert Hall gala opening program late last year, which was spread over three evenings for live broadcast on national and local public radio from the venue's Recording Room.

At Vogler's own studio, located in the former Helm's Bakery in Culver City, Calif., ATC SCM150As provide the listening environment for various editing and mastering projects, as well as his own Industrial Monk project, a collaboration with musician/producer/engineer Takashi Kawai.

ATC is distributed in the U.S. by the Transamerica Audio Group. Visit www.transaudiogroup.com or www.atc.gb.net.






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