Audix SCX-25, April 2002

May 13, 2004, By Ty Ford

In a market awash with lowball Neumann wannabe lookalikes, the Audix SCX-25 is a refreshing sight and looks like no mic I've ever seen....

ADK A-51TC, October 2001

May 13, 2004

ADK made waves a few years ago with the debut of its A-51 (Area 51) Series of affordable—around $400—large-diaphragm FET condenser mics. Following on...

BLUE The Blueberry, February 1999

May 13, 2004, By George Petersen

Baltic Latvian Universal Electronics (B.L.U.E.) has always been an innovative company that does things differently. For example, its B7 Lollipop is a...

BLUE Kiwi, April 2001

May 13, 2004, By George Petersen

Baltic Latvian Universal Electronics (B.L.U.E.) is now shipping its Kiwi multipattern studio mic. B.L.U.E.'s top-of-the-line, solid-state...

Glossary of Basic Microphone Terms

May 13, 2004

Here is a compiled list of common microphone terms. Note that articles inside "MixGuides" have words "hyperlinked" for easier understanding of common terms....

Brauner VM1, April 1998

May 13, 2004, By George Petersen

A year ago, in Munich, I met a studio owner/engineer who had turned his passion for electronic design into a business called Dirk Brauner Röhrengerätemanufaktur...

AEA R84 Ribbon Microphone, October 2003

May 13, 2004, By Kevin Becka

AEA's slick, retro-looking R84 ($1,000) is the newest mic in designer Wes Dooley's product line. Sensitivity of the R84 is -52...

Audix D Series, January 1997

May 13, 2004

The Audix D Series of dynamic microphones offers three powerful tools when used for the right job. When I first encountered these instrument mics, my...

Audio-Technica AT835ST and AT815ST, April 2001

May 13, 2004, By Ty Ford

In the rapidly changing world of pro audio, taking things for granted may not be a good idea. If you think you know what to expect from a stereo shotgun mic,...

Alesis/GT Electronics AM52 and AM62, July 1999

May 13, 2004, By Larry the O

Alesis has successfully made its mark in signal processors, drum machines, sequencers, synthesizers, tape recorders (and what a mark that is) and studio monitors...

Audio-Technica AT4054 and AT4055, May 1998

May 13, 2004, By George Petersen

Nine years ago, Audio-Technica began setting its sights on the pro studio market with the introduction of its AT4031 and AT4051 condenser microphones....

Audio-Technica 30 Series, May 2002

May 13, 2004, By George Petersen

Audio-Technica's 30 Series condenser mics offer extended frequency response, high-SPL handling, excellent...

Brauner VM1 KHE (Klaus Heyne Edition), October 2002

May 13, 2004

The Brauner VM1 tube condenser microphone garnered a lot of praise when it was introduced in 1994 because of its deft marriage of subtle tube sweetness,...

ADK A-51TC, October 2001

May 13, 2004, By Barry Cleveland

ADK made waves a few years ago with the debut of its A-51 (Area 51) Series of affordable—around $400—large-diaphragm FET...

Audix D6, December 2002

May 13, 2004, By George Petersen

I use a variety of mics for kick, such as a Sennheiser MD-421, Beyer M88, E-V RE20, AKG D112 and even E-V's 664 “ray gun,” which transforms any bass...

AEA R44C, April 1999

May 13, 2004, By Shawn Murphy

For those of us engaged in professional recording on a daily basis, the availability of "classic" microphones is often more of a necessity than a luxury. Even with the development of ultraquiet and linear microphones,...

Audio-Technica AE2500 Dual-Element Mic, June 2003

May 13, 2004, By Barry Rudolph

A totally new, innovative mic design, the Audio-Technica AE2500 uses specifically designed dynamic and condenser...

AKG C 3000B, March 2000

May 13, 2004, By George Petersen

Several years ago, when AKG unveiled its C 3000, it was nearly an instant success, providing decent performance at a price that is quite low for a large-diaphragm studio condenser....

Audio-Technica AT3060, July 2003

May 13, 2004, By Barry Rudolph

The AT3060 tube condenser microphone is a new addition to Audio-Technica's 30 Series...

Endless Noise Gives Lexus Spots "Simple, Unique" Sound

May 12, 2004, Editors

Endless Noise, one of the leading original music production companies in America, specializing in commercials, TV programs, films and multimedia projects,...

Sales Manager Black Joins Tannoy

May 12, 2004, Editors

Tannoy North America has expanded its sales development efforts with the addition of veteran sales manager Derek Black....

Klark Teknik Launches PC Remote Control for Helix

May 12, 2004, Editors

Klark Teknik is delighted to announce the launch of PC remote control for the award-winning Helix DN9340 digital equalization system. This is the latest...

The Systems Group Introduces MasterPlan for Digital TV

May 12, 2004, Editors

The Systems Group (TSG), a systems design and integration firm specializing in advanced technology applications for digital broadcast facilities, has...

TC-Helicon Rebate Extended

May 11, 2004, Editors

Anyone who is interested TC-Helicon's vocal processor Quintet should act now, as the $100 rebate, which began February 1 and was scheduled to end May 1, has now been extended to June 1....

Shure, DRF Work to Prevent Hearing Loss

May 11, 2004, Editors

Shure Incorporated announced today the company has joined the board of the Deafness Research Foundation’s World Council on Hearing Health, an international...

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The Mix Regional section for Mix's May 2014 issue focuses on Nashville. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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