BLUE Kiwi, April 2001

May 13, 2004, By George Petersen

Baltic Latvian Universal Electronics (B.L.U.E.) is now shipping its Kiwi multipattern studio mic. B.L.U.E.'s top-of-the-line, solid-state...

Glossary of Basic Microphone Terms

May 13, 2004

Here is a compiled list of common microphone terms. Note that articles inside "MixGuides" have words "hyperlinked" for easier understanding of common terms....

Brauner VM1, April 1998

May 13, 2004, By George Petersen

A year ago, in Munich, I met a studio owner/engineer who had turned his passion for electronic design into a business called Dirk Brauner Röhrengerätemanufaktur...

AEA R84 Ribbon Microphone, October 2003

May 13, 2004, By Kevin Becka

AEA's slick, retro-looking R84 ($1,000) is the newest mic in designer Wes Dooley's product line. Sensitivity of the R84 is -52...

Audix D Series, January 1997

May 13, 2004

The Audix D Series of dynamic microphones offers three powerful tools when used for the right job. When I first encountered these instrument mics, my...

Audio-Technica AT835ST and AT815ST, April 2001

May 13, 2004, By Ty Ford

In the rapidly changing world of pro audio, taking things for granted may not be a good idea. If you think you know what to expect from a stereo shotgun mic,...

Alesis/GT Electronics AM52 and AM62, July 1999

May 13, 2004, By Larry the O

Alesis has successfully made its mark in signal processors, drum machines, sequencers, synthesizers, tape recorders (and what a mark that is) and studio monitors...

Audio-Technica AT4054 and AT4055, May 1998

May 13, 2004, By George Petersen

Nine years ago, Audio-Technica began setting its sights on the pro studio market with the introduction of its AT4031 and AT4051 condenser microphones....

Audio-Technica 30 Series, May 2002

May 13, 2004, By George Petersen

Audio-Technica's 30 Series condenser mics offer extended frequency response, high-SPL handling, excellent...

Brauner VM1 KHE (Klaus Heyne Edition), October 2002

May 13, 2004

The Brauner VM1 tube condenser microphone garnered a lot of praise when it was introduced in 1994 because of its deft marriage of subtle tube sweetness,...

ADK A-51TC, October 2001

May 13, 2004, By Barry Cleveland

ADK made waves a few years ago with the debut of its A-51 (Area 51) Series of affordable—around $400—large-diaphragm FET...

Audix D6, December 2002

May 13, 2004, By George Petersen

I use a variety of mics for kick, such as a Sennheiser MD-421, Beyer M88, E-V RE20, AKG D112 and even E-V's 664 “ray gun,” which transforms any bass...

AEA R44C, April 1999

May 13, 2004, By Shawn Murphy

For those of us engaged in professional recording on a daily basis, the availability of "classic" microphones is often more of a necessity than a luxury. Even with the development of ultraquiet and linear microphones,...

Audio-Technica AE2500 Dual-Element Mic, June 2003

May 13, 2004, By Barry Rudolph

A totally new, innovative mic design, the Audio-Technica AE2500 uses specifically designed dynamic and condenser...

AKG C 3000B, March 2000

May 13, 2004, By George Petersen

Several years ago, when AKG unveiled its C 3000, it was nearly an instant success, providing decent performance at a price that is quite low for a large-diaphragm studio condenser....

Audio-Technica AT3060, July 2003

May 13, 2004, By Barry Rudolph

The AT3060 tube condenser microphone is a new addition to Audio-Technica's 30 Series...

AKG C 2000B, December 2000

May 13, 2004, By Robert Hanson

Not to be left off the low-cost condenser bandwagon, AKG has climbed aboard with the AKG C 2000B....

Audio-Technica AT4047/SV, July 2000

May 13, 2004, By Roger Maycock

For nearly 40 years, the people at Audio-Technica have been dedicated to the advancement of electroacoustic design and manufacturing, establishing an enviable reputation for building good-sounding, reliable products....

AKG C 4000B, July 1999

May 13, 2004, By Hunter Pipes

Since the dawn of magnets, engineers and musicians alike have searched for warm-sounding, durable and affordable microphone technologies. Well, search no longer—the AKG C 4000B has arrived....

AKG Acoustics C 900, July 2002

May 13, 2004, By Mark Frink

Introduced last winter, AKG's newest Emotion performance microphone is the C 900 condenser vocal mic. It closely resembles the handheld...

AKG Solidtube, January 1998

May 13, 2004, By George Petersen

At last fall’s AES convention in New York, AKG unveiled Solidtube, a large-diaphragm vacuum tube microphone at a retail list price of $1,500....

Audio-Technica AT4060, July 1998

May 13, 2004, By George Petersen

Anticipated since 1994, when Audio-Technica first unveiled its AT4050 large-diaphragm studio condenser, A-T’s tube mic project may have been one of the worst-kept secrets in audio....

Audix OM-6, May 1998

May 13, 2004

Audix has been creating a buzz in the industry with its studio monitors for some time, but in my opinion it is the company’s stage microphones that have...

BLUE Dragonfly, October 2000

May 13, 2004, By Roger Maycock

In recent years, BLUE (Baltic Latvian Universal Electronics) has achieved recognition as a manufacturer of high-quality, handcrafted microphones....

Blue Baby Bottle, May 2002

May 13, 2004, By Barry Cleveland

Every microphone created by Baltic Latvian Universal Electronics (BLUE) is a work of art, visually as well as sonically, so it's hardly surprising that the company prefers designations such as Dragonfly,...

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The Mix Regional section for Mix's July 2014 issue focuses on Atlanta. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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