Feb 22, 2010 2:43 PM

2010 MPSE Career Achievement Recipient Larry Singer (left) with MPSE President Bobbi Banks

Photo courtesy of MPSE; images by Linda Treydte | Tilt Photo

Best Sound Editing: Music in a Musical Feature Film
This Is It (Columbia Pictures)
Produced by Randy Phillips, Kenny Ortega and Paul Gongaware; directed by Kenny Ortega
Supervising Music Editors: Michael Prince, Ryan Rubin, and Scott Stambler

Best Sound Editing: Dialog and ADR in a Feature Film
Inglorious Basterds (Universal Pictures)
Produced by Lawrence Bender, Bob Weinstein and Harvey Weinstein; directed by Quentin Tarantino
Supervising Sound Editor: Wylie Stateman; Supervising Dialog Editor: Margit Pfeiffer; Supervising ADR Editor: Gregg Baxter; Dialog/ADR Editor: Nancy Nugent-Title

Best Sound Editing: Sound Effects and Foley in a Feature Film
Avatar (20th Century Fox)
Produced by James Cameron and Jon Landau; directed by James Cameron
Supervising Sound Editor/Sound Designers: Addison Teague, Chris Boyes; Supervising Foley Editor: Luke Dunn Glelmuda; Foley Editor: Jim Likowski; Sound Effects Editors: Ken Fischer, Shannon Mills, Tim Nielsen, Chris Scarabosio; Foley Artists: Dennie Thorpe, Jana Vance

Read Blair Jackson's feature story on the audio team for Avatar from Mix's January 2010 issue.

Watch an exclusive video of the Avatar Sound Panel from the SoundWorks Collection, as well as the Avatar Sound for Film Profile.

2010 Golden Reel Awards Winners: Television

Best Sound Editing: Sound Effects, Foley, Music, Dialog and ADR in Television Animation
The Penguins of Madagascar—“What Goes Around” (Viacom International)
Produced by Bob Schooley and Mark McCorkle; Directed by Bret Haaland and Nick Filippi
Supervising Sound Editors: Paulette Victor Lifton, James Ian Lifton; Sound Designer: Ian Nyeste; Supervising Foley Editor: Aran Tanchum; Supervising Dialog Editor: Michael Petak; Supervising ADR Editor: Jason Stiff; Music Editor: Dominick Certo, MPSE; Foley Artist: Vincent Guisetti; Dialog Editor: Oliver Pearce; Foley Editor: Matt Hall; Dialog & Music Editor: D.J. Lynch; Sound Effects Editor: Lawrence Reyes

Best Sound Editing: Long Form Dialog and ADR in Television
Battlestar Galactica—“Daybreak, Part 2” (SyFy Channel)
Produced by Ronald D. Moore and David Eick; directed by Michael Rymer
Supervising Sound Editors: Daniel Colman, MPSE, Jack Levy; Supervising Dialog/ADR Editor: Vince Balunas

Best Sound Editing: Short Form Dialog and ADR in Television
True Blood—“Beyond Here Lies Nothin' - #212” (HBO)
Produced by Alan Ball, Gregg Feinberg, Mark McNair, Raelle Tucker and Alexander Woo; Directed by Michael Cuesta
Supervising Sound Editor: John Benson, MPSE; Supervising Dialog/ADR Editor: John Benson, MPSE; Sound Editors: Christian Buenaventura, Jason Krane

Winner, Best Sound Editing: Long Form Sound Effects and Foley in Television—Battlestar Galactica, “Daybreak, Part 2”
From left: Sara Bencivenga, Sam C. Lewis, Jack Levy, Daniel Colman, Richard Partlow

Photo courtesy of MPSE; images by Linda Treydte | Tilt Photo

Best Sound Editing: Long Form Sound Effects and Foley in Television
Battlestar Galactica—“Daybreak, Part 2” (SyFy Channel)
Produced by Ronald D. Moore and David Eick; Directed by Michael Rymer
Supervising Sound Editor/Sound Designer: Daniel Colman, MPSE; Supervising Sound Editor: Jack Levy; Supervising Foley Editor: Sam C. Lewis; Foley Artists: Doug Madick, Richard Partlow

Best Sound Editing: Short Form Sound Effects and Foley in Television
House M.D.—“Epic Fail” (Fox Broadcasting Company)
Produced by Katie Jacobs and David Shore; directed by Greg Yaitanes
Supervising Sound Editor/Sound Designer: Bradley North; Sound Designer: Luis Galdames; Supervising Foley Editor: Craig Rosevear; Sound Effects Editor: Luis Galdames; Foley Editor: Harry Woolway; MPSE Foley Artists: Michael Lyle, Paul Stevenson

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