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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

Home » Photo Gallery » Grammys 2008

Grammys 2008

Grammys 2008 Photo Gallery

Shown L-R: Music Mixers Eric Schilling and John Harris; Phil Ramone. Second Row L-R: John Cossette of Cossette Productions; Musical Director Rickey Minor; and Maureen Droney, Executive Director of the P&E Wing.

© Courtesy of The Recording Academy®/Photograph by Jordan Strauss/Wireimage.com © 2008

Shown L-R: Music Mixers Eric Schilling and John Harris; Phil Ramone. Second Row L-R: John Cossette of Cossette Productions; Musical Director Rickey Minor; and Maureen Droney, Executive Director of the P&E Wing.

Shown L-R: Music Mixers Eric Schilling and John Harris; Phil Ramone. Second Row L-R: John Cossette of Cossette Productions; Musical Director Rickey Minor; and Maureen Droney, Executive Director of the P&E Wing.Pictured left to right: Audio EIC (Engineer in Charge) Joel Singer; Music Mixers John Harris and Eric Schilling.
BJ Ramone assisted in the L7 truck
Music mixer John Harris his mixed 16 Grammy AwardsEric Shilling, music mixer, back from an auto accident that nearly claimed his life, has completed his fourth straight Grammy Awards as music mixer, alternating with John HarrisFoo Fighters line arrayFoo Fighters FOH
Foo Fighters stage setupJoel Singer, director of operations for XM/EffanelKlaus Landsberg, who regularly mixes large scale entertainment shows, served as the 5.1 audience mixer for the GrammysOutside the Nokia TheaterKeeping an eye on the Pro Tools racks in the ORB
A scene from “command central” at the XM Productions/Effanel L7 truckThe control room at Offline Remote Broadcast, aka the OrbFOH for the Foo Fighters show at the Nokia Theatre stagePro Tools Racks handling offline mixes in the ORB
The L7 team recorded rehearsals before moving the files next door to the ORB for offline level settingOffline mixing was done in Pro ToolsRocky Graham, director of marketing for worldwide broadcast at Dolby Labs, was onsite to ensure the quality of 5.1 encoding and monitoring across all formatsRoss Hering, director of business development at MRS, provided acoustic treatment in the ORB to help mirror the L7 truck’s room response.

Mix Sound for Film Feature: Iron Man