Post :: Features

Could The Hurt Locker Take Sound Oscars?

Mar 1, 2010, By Blair Jackson

Six months ago, it looked as though The Hurt Locker, though critically acclaimed, would go down in history as yet another Iraq war film that didn’t perform at the box office and be forgotten. But then something extraordinary happened. Critic after critic put it on their year-end “Best of 2009” lists and the film started to gain new momentum. Everyone, it seemed, loved that film and it just wouldn’t go away. ...

Audio at the Grammys

Mar 1, 2010, Compiled by Sarah Benzuly

The Emmy- and TEC Award-winning audio team assembled at the foot of the Staples Center again this year for production of the 52nd Annual Grammy Awards,...

God of War III

Mar 1, 2010, By Blair Jackson

It's been five years since the first God of War videogame came out on the Sony PlayStation 2 platform and became an instant sensation among serious gamers...

Tech's Files: Start Your Engines

Mar 1, 2010, by Eddie Ciletti and Damian Kastbauer

I have a friend whose business card reads, If I don't know it, I know someone who does. That's my story in this edition of Tech's Files. My friend and...

Spencer Nilsen Q&A

Feb 25, 2010, By Tom Kenny

You started out on piano, turned to composition, then built audio studios for Sega back in the ’90s, and now you’re president/creative director at Ex’pression College. Did you expect this career path?...

Remote Recording | Shifting Gears

Feb 1, 2010, By Sarah Jones

Remote recording business in 2010 by Sarah Jones feature ...

Lost, The Final Chapter

Jan 21, 2010, By Mel Lambert

It’s mid-morning in Walt Disney Post Production Service’s Room Six, and the sound editorial team for ABC Television’s Lost is taking notes from executive producer Bryan Burk on an opening episode from Season 6. ...

Post: Trying to Save Lives With Sound

Jan 1, 2010, By Blair Jackson

Ezra Dweck has been working in post-production for some 18 years now, and he's amassed quite a r for himself. He started his career recording FX at a...

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