Post :: Features
Feb 1, 2010,
By Sarah Jones
Remote recording business in 2010 by Sarah Jones feature
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Jan 21, 2010,
By Mel Lambert
It’s mid-morning in Walt Disney Post Production Service’s Room Six, and the sound editorial team for ABC Television’s Lost is taking notes from executive producer Bryan Burk on an opening episode from Season 6. ...
Jan 1, 2010,
By Blair Jackson
If you've seen James Cameron's epic 3-D film, Avatar, or even just the trailers and commercials, you know that the director has gone to incredible lengths...
Jan 1, 2010,
By Blair Jackson
Ezra Dweck has been working in post-production for some 18 years now, and he's amassed quite a r for himself. He started his career recording FX at a...
Jan 1, 2010,
By Arlan Boll
As an advocate of newness in sound and film, I am constantly looking for art that has no repetitive boundaries. We are bombarded today with the same old...
Jan 1, 2010,
By Sarah Jones
What do I Could Have Danced All Night and The Thong Song have in common? Musically, not a lot. But they've all been covered on Fox's smash hit show Glee,...
Dec 1, 2009,
By Blair Jackson
With his multiple-Oscar-winning 2002 film Chicago, director/choreographer Rob Marshall showed beyond any doubt that he knows how to bring a stage musical...
Nov 10, 2009
Watch a video promotion of Michael Coleman's new SoundWorks Collection audio for picture Website...
NAMM 2010ÑCakewalk A-Pro Series MIDI Controllers
Sound for Star Trek