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STAR WARS EPISODE I: THE PHANTOM MENACE

May 1, 1999 12:00 PM, Walter Murch

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Free Live Webcast:

Understanding Bass Management
With Bob Hodas, November 20th

Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.

Check out our other webcasts here.


Mastering Stories

Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.


Remix Hotel News

Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008

Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .


This Month in Mix

In 1977, in a galaxy very close to home, Star Wars changed the way movies are made and released, ushering in the age of the Big Sound blockbuster and spawning a legion of imitators. Now, 22 years later, George Lucas has returned to the director's chair for Episode I-The Phantom Menace, a film so hotly anticipated that fans camped out for a chance to view the trailers. In this rare behind-the-scenes walk through Skywalker Ranch, Mix film sound editor Larry Blake takes you into the editing rooms and mix stages for an exclusive look at the post-production for the first Star Wars prequel. Also, longtime Mix contributor Larry the O provides an insider's view of the scoring sessions at Abbey Road. John Williams is back. Ben Burtt is back. The Force has returned!

George's passionate interest in sound, and his uncanny knack for combining disparate sound textures in the service of story, were obvious right from the start in his earliest films at USC, as well as his first two features, THX-1138 and American Graffiti, on which it was my privilege to collaborate. I vividly remember being completely bowled over by his fusion of Bach organ music and sideband-distorted voices in the student version of THX, way back in 1967. So much so that I can even remember where I was when I heard it. It was like being served up chocolate and avocado, and finding against all expectations that it was absolutely delicious.



Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95