Interactive TelevisionApr 1, 2002, by Gary S. Hall If you listen to the hype, interactive television is already here. It is, after all, now possible for viewers to vote on alternate endings, participate... Composer Glover GillApr 1, 2002, By Sarah Benzuly Glover Gill doesn't use Sonic Foundry's Acid or Coda Music Technology's Finale when he sits down (or stands, as sometimes is the case) to compose; in... Amadeus: The Director's CutMar 1, 2002, By Blair Jackson If you haven't seen Milos Forman's Amadeus for a number of years, it's easy to forget what a great film it is. In a hazy memory, you probably recall the... The Bake-OffMar 1, 2002 Every year, in the first week of February, the members of the Sound Branch of the Academy of Motion Picture Arts & Sciences gather at the Academy Theater... The Shipping NewsFeb 1, 2002, By Tom Kenny It's a truism these days in all worlds audio: Those who produce are working in the highest resolution possible, while those who consume often seem to... Surreal Sound, Toy CamerasJan 1, 2002, By Arlan Boll As a sound designer, I am always searching for new and interesting ways to re-create sounds, hoping to avoid that dissatisfying, heard-it-before feeling... Composer Spotlight: Richard WolfJan 1, 2002, By David John Farinella Richard Wolf has some unconventional assistance while he composes music for the new WB Network animated television program Static Shock. When I get the... Harry Potter and the Sorcerer's StoneDec 1, 2001, By Blair Jackson Few films in recent years have been as hotly anticipated as Harry Potter and the Sorcerer's Stone, the first movie to be made from J.K. Rowling's gazillion-selling... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound