Sound Design RecordingOct 1, 2000, MIX STAFF Big-city sound without big-city stress. 25 years of state-of-the-art sound.- Newly renovated main studio designed by George Augspurger- George Martin's... Pierre Foldes: POST-PRODUCTION WITH PARISIAN STYLEAug 1, 2000, Gary Eskow Composers heading to New York to find work in this town's audio post market are often cowed by the number of well-appointed project studios that are tucked... SCORING "THE PATRIOT"Jul 1, 2000, Chris Michie For the film score, the producers were fortunate to secure the participation of two-time Oscar winner John Williams, whose many screen credits include... The patriotJul 1, 2000, Tom Kenny The Sony Pictures Entertainment lot was abuzz at the end of May with the controlled rush to bring Mel Gibson and the drama of a family caught up in war... SOUND FOR FILM: AN OPEN LETTER TO PICTURE AND SOUND EDITORS FROM A PRODUCTION MIXERMar 1, 2000, William Sarokin I'm currently mixing a new ABC dramatic series called Wonderland about Bellevue psychiatric hospital. As you can imagine, it's a madhouse. There's tons... THE SCORE: INTERVIEWS WITH FILM COMPOSERSFeb 1, 2000, Kimberly Chun Concert composer Michael Schelle may have never written music for film, but after penning his most recent book, it's safe to say he knows the score.The... SOUND FX FOR "SLEEPY HOLLOW": HEADS WILL ROLL, HORSES WILL RUNDec 1, 1999, Tom Kenny A Tim Burton movie would seem on the surface to be a sound editor's playpen-stylized imagery, dark characters, evocative settings. Whether it's the scissor... SCORING FOR THE BIGGEST SCREEN: STEVE WOOD CLIMBS "EVEREST" AND SWIMS TO THE BOTTOM OF "THE LIVING SEA"Nov 1, 1999, Robyn Flans The first time composer/engineer Steve Wood wrote for orchestra, he had to purchase a one-month pass to his chiropractor. No joke. His back went out before... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound