Composer Spotlight: Richard Wolf

Jan 1, 2002, By David John Farinella

Richard Wolf has some unconventional assistance while he composes music for the new WB Network animated television program Static Shock. When I get the...

Surreal Sound, Toy Cameras

Jan 1, 2002, By Arlan Boll

As a sound designer, I am always searching for new and interesting ways to re-create sounds, hoping to avoid that dissatisfying, heard-it-before feeling...

Harry Potter and the Sorcerer's Stone

Dec 1, 2001, By Blair Jackson

Few films in recent years have been as hotly anticipated as Harry Potter and the Sorcerer's Stone, the first movie to be made from J.K. Rowling's gazillion-selling...

Taking Storage to the Next Step

Sep 1, 2001, BY OLIVER MASCIAROTTE

It's autumn. A change of season is upon us, with the twilight of summer and the smell of frying power supplies in the air. It may also be the twilight...

Sound Secrets of A.I.

Jun 1, 2001, by Blair Jackson

One of the most highly anticipated films of the summer is Steven Spielberg's A.I., a project that has been shrouded in secrecy worthy of a Stanley Kubrick...

Pearl Harbor

Jun 1, 2001, by Maureen Droney

With a Memorial Day weekend debut, Disney's much-anticipated Pearl Harbor seems a shoe-in for success. An epic love story set against the high action...

Rollerball

Jun 1, 2001, by David John Farinella

It's the ultimate double-edged sword in the world of audio post-production for films the eye candy feature, as a remake, to boot. Yet, that's exactly...

The Score

Jun 1, 2001, by David John Farinella

Surprises are the last things mixer Lee Dichter wants to hear when he sits down to start working on a feature, yet that's just what he got when he started...

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