Field Test: Trident S40 Single-Channel StripMay 1, 2004, By Barry Rudolph With its signature black-anodized front panel, colored aluminum knobs and small rectangular push buttons, the S40 is clearly the progeny of Trident's Series 80 and TSM consoles.... Field Test: Tascam FW-1884 Control Surface/InterfaceMay 1, 2004, By Nick Batzdorf A control surface/FireWire audio/MIDI interface describes most of what Tascam's FW-1884 does, but there wouldn't be enough space on the box if the product name were to paint the whole picture of its functions.... Field Test: Alesis Prolinear 820DSP MonitorsMay 1, 2004, By Nick Batzdorf Until you look closely at the front panel LCD, Alesis' Prolinear 820DSP appears to be a garden-variety, two-way, active studio monitor.... Field Test: Yamaha Pitch Fix, Vocal Rack and Final MasterMay 1, 2004, By Barry Rudolph Workstation users, rejoice: A trio of new plug-ins brings Yamaha's proprietary digital processing technology to your VST/AudioUnits-based projects.... Field Test: Sony DMX-P01 24-bit/96k MixerApr 1, 2004, By Rick Spence Sony is no stranger to video production. In fact, Sony has the whole signal production chain pretty much covered.... Field Test: Merging Technologies Pyramix 4.2 WorkstationApr 1, 2004, By K. K. Proffitt A solitary triangle in one of Michael Bishop's excellent recordings convinced me that DSD offered a clarity that I didn't hear in my 48kHz PCM work.... Field Test: Neumann TLM 127 Condenser MicrophoneApr 1, 2004, By Barry Rudolph The TLM 127 is the latest FET 100 Series mic in Neumann's transformerless microphone line (TLM). Available in either black matte or Neumann's trademark nickel finish, the side-address TLM 127 starts out with the K 127 large dual-diaphragm capsule, which is based on the K 103 used in the TLM 103.... Field Test: Genelec 7070A Active SubwooferApr 1, 2004, By George Petersen When Genelec introduced its 7000 Series of active subwoofers, I was intrigued by these systems, which not only provide solid, below 20Hz LF reproduction, but also offer 6.1 bass-management capability and flexible acoustical tweaks to make the system work in nearly any listening space.... Field Test: Thermionic Culture The Phoenix CompressorApr 1, 2004, By Michael Cooper Thermionic Culture's The Phoenix is a pretty rare bird. It's a variable-mu tube compressor — the first type of compressor ever made.... Field Test: Waves Transform Plug-In BundleMar 1, 2004, By Barry Rudolph We've always thought of Waves as a manufacturer of solid, straightforward studio tools, but recently, the company has branched out with some really creative sound-shapers.... Field Test: Apogee Electronics Rosetta 800Mar 1, 2004, By Michael Cooper The Rosetta 800 ($2,995), Apogee's newest 24-bit multichannel converter, offers eight channels of A/D and D/A conversion, flexible sync capabilities and Apogee's proprietary UV22HR wordlength reduction and Soft Limit dynamics processing.... Field Test: Buzz Audio SOC 1.1 Stereo Optical CompressorMar 1, 2004, By Barry Rudolph Leave it to the Kiwis to come up with a more reliable and clean-sounding version of the tried-and-true opto-compressor.... Field Test: Studio Projects B Series MicsMar 1, 2004, By Nick Batzdorf During the past few years, there has been an explosion of almost unbelievably low-priced Chinese condenser mics that look like prized German beauties.... Field Test: QSC Audio SRA2422 Studio Reference AmplifierMar 1, 2004, By Steve LaCerra QSC Audio has established itself as a leading manufacturer of amplifiers for live sound reinforcement.... Field Test: iZotope Ozone 3 Plug-InMar 1, 2004, By Barry Rudolph The polymaths at iZotope, the company that came up with the innovative Spectron and Trash plug-ins, have significantly redesigned the manufacturer's popular Ozone 2 analog-modeled mastering suite and christened it Ozone 3.... Field Test: Brauner Phantom C Condenser MicrophoneMar 1, 2004, By Michael Cooper Brauner has a reputation for building ultratransparent tube mics with very low self-noise and high sensitivity.... Snapshot Product ReviewsMar 1, 2004 IK MULTIMEDIA T-RACKS Mastering Plug-In IK Multimedia now has a plug-in version of its stand-alone T-RackS mastering software.... Field Test: Lawson L251 Tube Condenser MicrophoneFeb 1, 2004, By Michael Cooper The Lawson L251 is a side-address, dual-diaphragm tube condenser mic that offers many extras, including an infinitely variable polar pattern, two bass-frequency contour settings and a 10dB pad.... Field Test: Yamaha SPX2000 Multi-Effects ProcessorFeb 1, 2004, By Barry Rudolph Using the new Yamaha SPX2000 is like visiting with an old reliable friend.... Field Test: Studio Electronics C2s CompressorFeb 1, 2004, By Erik Zobler Studio Electronics started rackmounting Minimoogs and retrofitting them with MIDI in 1988.... Most Popularadvertisement PollsFree Live Webcast:
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Remix Hotel News
Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .
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