Digidesign Pro Tools|HDSep 1, 2002, BY MICHAEL DENTEN AND ERIK HAWKINS By now, you've probably heard of the new Pro Tools|HD system (the HD stands for High Definition) from Digidesign. There has certainly been enough talk... SPL KultubeAug 1, 2002, BY BARRY RUDOLPH New equipment from Sound Performance Lab is always worth checking out, as the company always offers unique approaches to complex audio processing with... Schoeps DSP-4PAug 1, 2002, BY TY FORD The Schoeps DSP-4P ($3,850) is described by the company as a digital microphone processor for the PolarFlex system. What does the PolarFlex system do,... Snapshot Product ReviewsAug 1, 2002 CAD M9 Cardioid Tube Microphone When everybody in the audio biz goes one way, CAD always comes up with something different. This time, that something... AlterMedia Studio Suite 5Aug 1, 2002, BY ANDREA ROTONDO HOSPIDOR When Mix magazine called to ask if I'd like to test-drive AlterMedia's Studio Suite Version 5 studio-management software, I jumped at the chance. For... Tascam US-428 Computer Controller/InterfaceAug 1, 2002, BY GEORGE PETERSEN Tascam's US-428 is a multipurpose unit combining onboard 16/24-bit converters (44.1 or 48 kHz), audio-to-USB conversion, a MIDI interface and a mix control... MOTU Digital PerformerJul 1, 2002, BY ERIK HAWKINS Have you ever wished for a way to record takes without cluttering up your hard drive with files? Many of today's best digital audio sequencers have some... Alesis ADAT HD24Jul 1, 2002, BY MICHAEL COOPER It's been almost two years since the first modular, 24-bit/24-track hard disk recorders were introduced to the pro audio world. The Alesis ADAT HD24 ($2,499... Royer R-122Jul 1, 2002, BY MICHAEL COOPER Until now, fans of ribbon mics have had to put up with the historic drawbacks of such transducer designs, including low-output level (usually requiring... Mackie HR624/HRS120Jul 1, 2002, BY ROBERT HANSON It's no secret that near-field monitoring has its limitations. Creating an accurate listening environment in less-than-ideal surroundings can be a maddening... Audio Ease Altiverb 1.4Jul 1, 2002, BY ERIK HAWKINS The ability to sample the reverb of an environment and then use that sample to recreate the location's reverb in your studio is an amazing engineering... Ableton Live 1.0Jun 1, 2002, BY DAVE HILL, JR. In October 2001, Ableton released one of the first software applications designed specifically for live performance, Live 1.0. Now, with the imminent... Eventide EclipseJun 1, 2002, BY MARK FRINK The Eventide Eclipse is the company's first single-rackspace effects processor, a must-have for those who need to fit Harmonizer processing into a crowded... DPA Microphones 3532-TJun 1, 2002, BY BARRY RUDOLPH The DPA Microphones 3532-T stereo microphone kit is a great introduction to recording with spaced-pair, omnidirectional microphones. Packaged in a spill-proof,... Antares Vocal Producer AVP-1Jun 1, 2002, BY NICK BATZDORF You see plug-in versions of hardware products all the time, but it's almost man bites dog for a company to come out with hardware versions of their software...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound