Ableton Live 1.5

Sep 1, 2002, BY LAURA PALLANCK

Ableton really did its homework when it came out with its loop sequencer Live. The program was designed as a real-time performance tool to play samples,...

SPL Kultube

Aug 1, 2002, BY BARRY RUDOLPH

New equipment from Sound Performance Lab is always worth checking out, as the company always offers unique approaches to complex audio processing with...

Schoeps DSP-4P

Aug 1, 2002, BY TY FORD

The Schoeps DSP-4P ($3,850) is described by the company as a digital microphone processor for the PolarFlex system. What does the PolarFlex system do,...

Snapshot Product Reviews

Aug 1, 2002

CAD M9 Cardioid Tube Microphone When everybody in the audio biz goes one way, CAD always comes up with something different. This time, that something...

AlterMedia Studio Suite 5

Aug 1, 2002, BY ANDREA ROTONDO HOSPIDOR

When Mix magazine called to ask if I'd like to test-drive AlterMedia's Studio Suite Version 5 studio-management software, I jumped at the chance. For...

Tascam US-428 Computer Controller/Interface

Aug 1, 2002, BY GEORGE PETERSEN

Tascam's US-428 is a multipurpose unit combining onboard 16/24-bit converters (44.1 or 48 kHz), audio-to-USB conversion, a MIDI interface and a mix control...

Royer R-122

Jul 1, 2002, BY MICHAEL COOPER

Until now, fans of ribbon mics have had to put up with the historic drawbacks of such transducer designs, including low-output level (usually requiring...

Mackie HR624/HRS120

Jul 1, 2002, BY ROBERT HANSON

It's no secret that near-field monitoring has its limitations. Creating an accurate listening environment in less-than-ideal surroundings can be a maddening...

Audio Ease Altiverb 1.4

Jul 1, 2002, BY ERIK HAWKINS

The ability to sample the reverb of an environment and then use that sample to recreate the location's reverb in your studio is an amazing engineering...

MOTU Digital Performer

Jul 1, 2002, BY ERIK HAWKINS

Have you ever wished for a way to record takes without cluttering up your hard drive with files? Many of today's best digital audio sequencers have some...

Alesis ADAT HD24

Jul 1, 2002, BY MICHAEL COOPER

It's been almost two years since the first modular, 24-bit/24-track hard disk recorders were introduced to the pro audio world. The Alesis ADAT HD24 ($2,499...

Eventide Eclipse

Jun 1, 2002, BY MARK FRINK

The Eventide Eclipse is the company's first single-rackspace effects processor, a must-have for those who need to fit Harmonizer processing into a crowded...

DPA Microphones 3532-T

Jun 1, 2002, BY BARRY RUDOLPH

The DPA Microphones 3532-T stereo microphone kit is a great introduction to recording with spaced-pair, omnidirectional microphones. Packaged in a spill-proof,...

Antares Vocal Producer AVP-1

Jun 1, 2002, BY NICK BATZDORF

You see plug-in versions of hardware products all the time, but it's almost man bites dog for a company to come out with hardware versions of their software...

Propellerhead Software Reason

Jun 1, 2002, BY LEN SASSO

Although Reason is designed for speed, its versatility can at first be daunting. With all that virtual gear at your fingertips, finding your way around,...

Ableton Live 1.0

Jun 1, 2002, BY DAVE HILL, JR.

In October 2001, Ableton released one of the first software applications designed specifically for live performance, Live 1.0. Now, with the imminent...

Terrasonde Audio Toolbox

May 1, 2002, BY RUDY TRUBITT

I bought my first piece of test equipment in 1975 a Micronta volt-ohm meter from the local Radio Shack. I assumed its manual would teach me to fix stuff,...

MOTU Digital Performer 3.02

May 1, 2002, BY ERIK HAWKINS

Mark of the Unicorn's Digital Performer has been a staple in my production studio ever since I connected MIDI instruments to an 8MHz Mac SE computer....

BLUE Baby Bottle

May 1, 2002, BY BARRY CLEVELAND

Every microphone created by Baltic Latvian Universal Electronics (BLUE) is a work of art, visually as well as sonically, so it's hardly surprising that...

TECHNOLOGY SPOTLIGHT: Yamaha 02R96

May 1, 2002, George Petersen

In 1995, Yamaha kicked off a not-so-quiet revolution with its original 02R, a 20-bit/48kHz digital console with moving faders, instantaneous reset of...

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | Next



Polls



Free Live Webcast:

Understanding Bass Management
With Bob Hodas, November 20th

Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.

Check out our other webcasts here.


Mastering Stories

Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.


Remix Hotel News

Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008

Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .


This Month in Mix