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Field Test: Sony Media Software ACID Pro 6

Aug 1, 2006, By David Weiss

Sony has never been shy about updating ACID, the company's workhorse program for PC. The recent release of ACID 6 hot on the heels of last year's 5 update...

Field Test: Yamaha AW2400 24-Track Hard Disc Recorder

Aug 1, 2006, By Jason Scott Alexander

Yamaha knows a thing or two about building personal digital audio workstations. In 2001, the company launched its AW Series, which was largely based on...

Field Test: Steinberg WaveLab 6 Audio Editing Suite

Aug 1, 2006, By Jim Aikin

Calling Steinberg's WaveLab an audio editor would be an oversimplification because it's a high-end suite of tools for massaging, compositing and archiving...

Field Test: Anthony Gallo A'Diva Ti Speakers, TR-2 Sub

Aug 1, 2006, By Joe Hannigan

New from Anthony Gallo Acoustics, the A'Diva Ti loudspeaker (with companion TR-2 subwoofer) is the newest product in an acclaimed line of audiophile speakers....

Field Test: IK Multimedia Classik Studio Reverb

Jul 1, 2006, By Barry Rudolph

From Modena, Italy, comes IK Multimedia's Classik Studio Reverb, or CSR plug-in bundle. This is a solid collection of four reverbs that every music mixer,...

Field Test: Algorithmix reNOVAtor Spectral Editor

Jul 1, 2006, By Joe Hannigan

ReNOVAtor is one of five programs in a suite of serious audio restoration/mastering tools from Algorithmix. (The others are ScratchFree, NoiseFree, LinearPhase...

Field Test: Eventide H7600 Ultra-Harmonizer Processor

Jul 1, 2006, By Barry Rudolph

Eventide, one of the founding companies of digital audio effects for professionals, has introduced the 24-bit/96kHz H7600 Ultra-Harmonizer effects processor....

Field Test: Sony PCM-D1 Handheld Recorder

Jul 1, 2006, By Rick Spence

Sony's strong background in broadcast is showing in a handsome field recorder that will please ENG pros and recording folks alike. The Sony PCM-D1 portable...

Field Test: Waves MaxxBCL Signal Processor

Jul 1, 2006, By Kevin Becka

Although Waves is mainly considered to be a software company, it has occasionally released hardware that has been well-received in the industry, such...

Field Test: Celemony Melodyne 3 Audio Editing Software

Jun 1, 2006, By Jim Aikin

If you need to edit audio as flexibly as you edit MIDI, you're going to love Celemony's Melodyne. It can correct the pitch of vocals with surgical accuracy,...

Field Test: Royer R-122V Tube Ribbon Mic

Jun 1, 2006, By Kevin Becka

At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon...

Field Test: Buzz Audio MA 2.2 TX Class-A Mic Pre

Jun 1, 2006, By Michael Cooper

Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end...

Field Test: TC-Helicon VoicePro Voice Processor

Jun 1, 2006, By Michael Cooper

The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately...

Field Test: A-Designs Audio Pacifica Microphone Preamp

Jun 1, 2006, BY JOE HANNIGAN

For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of...

Field Test: Lynx Studio Technology Aurora 16

Jun 1, 2006, By K.K. Proffitt

Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known...

Correction

Jun 1, 2006

In last month's DPA 4091 Field Test, Fred Aldous used the Holophone to capture Super Bowl XXXIX and not NASCAR. Mix regrets the error....

Field Test: Focusrite Saffire FireWire Audio Interface

May 1, 2006, By Jason Scott Alexander

Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side...

Field Test: BIAS Peak Pro XT 5 Bundle

May 1, 2006, By Jason Scott Alexander

BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new...

JazzMutant Lemur Control Surface

May 1, 2006, By Jim Aikin

Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph...

Field Test: Digidesign Pro Tools HD 7 Software

May 1, 2006, By Barry Rudolph

Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter...

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