Aug 1, 2006,
By David Weiss
Sony has never been shy about updating ACID, the company's workhorse program for PC. The recent release of ACID 6 hot on the heels of last year's 5 update...
Aug 1, 2006,
By Jason Scott Alexander
Yamaha knows a thing or two about building personal digital audio workstations. In 2001, the company launched its AW Series, which was largely based on...
Aug 1, 2006,
By Jim Aikin
Calling Steinberg's WaveLab an audio editor would be an oversimplification because it's a high-end suite of tools for massaging, compositing and archiving...
Aug 1, 2006,
By Joe Hannigan
New from Anthony Gallo Acoustics, the A'Diva Ti loudspeaker (with companion TR-2 subwoofer) is the newest product in an acclaimed line of audiophile speakers....
Jul 1, 2006,
By Barry Rudolph
From Modena, Italy, comes IK Multimedia's Classik Studio Reverb, or CSR plug-in bundle. This is a solid collection of four reverbs that every music mixer,...
Jul 1, 2006,
By Joe Hannigan
ReNOVAtor is one of five programs in a suite of serious audio restoration/mastering tools from Algorithmix. (The others are ScratchFree, NoiseFree, LinearPhase...
Jul 1, 2006,
By Barry Rudolph
Eventide, one of the founding companies of digital audio effects for professionals, has introduced the 24-bit/96kHz H7600 Ultra-Harmonizer effects processor....
Jul 1, 2006,
By Rick Spence
Sony's strong background in broadcast is showing in a handsome field recorder that will please ENG pros and recording folks alike. The Sony PCM-D1 portable...
Jul 1, 2006,
By Kevin Becka
Although Waves is mainly considered to be a software company, it has occasionally released hardware that has been well-received in the industry, such...
Jun 1, 2006,
By Michael Cooper
Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end...
Jun 1, 2006,
By Michael Cooper
The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately...
Jun 1, 2006,
BY JOE HANNIGAN
For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of...
Jun 1, 2006,
By K.K. Proffitt
Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known...
Jun 1, 2006
In last month's DPA 4091 Field Test, Fred Aldous used the Holophone to capture Super Bowl XXXIX and not NASCAR. Mix regrets the error....
Jun 1, 2006,
By Jim Aikin
If you need to edit audio as flexibly as you edit MIDI, you're going to love Celemony's Melodyne. It can correct the pitch of vocals with surgical accuracy,...
Jun 1, 2006,
By Kevin Becka
At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon...
May 1, 2006,
By Barry Rudolph
Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter...
May 1, 2006,
By Jason Scott Alexander
Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side...
May 1, 2006,
By Jason Scott Alexander
BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new...
May 1, 2006,
By Jim Aikin
Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph...
AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound