Field Test: MOTU Traveler FireWire I/O With PreampsJan 1, 2006, By Steve La Cerra These days, laptop computers provide as much if not more horsepower as your desktop behemoth. As a result, the availability of audio interfaces for mobile... Field Test: Mackie Tracktion 2 DAW SoftwareJan 1, 2006, By Jim Aikin The big-name sequencer/recorders have dominated the market for close to 20 years. With Tracktion, Mackie aims to shake up the scene. Tracktion is quite... Field Test: Universal Audio LA-3A Audio LevelerJan 1, 2006, By Michael Cooper Universal Audio has a wonderful habit of reissuing some of the most beloved vintage processors known to gear mavens worldwide. Now, the company has re-created... Field Test: Submersible Music DrumCore Loop LibraryJan 1, 2006, By Jim Aikin That next big thing rock vocalist is due in your studio in an hour to record a demo, but the drummer didn't show up to lay down the backing tracks. Do... Field Test: Focal SM8 Powered MonitorsJan 1, 2006, By Joe Hannigan Having seen them at several industry shows, I've admired the Focal SM Series' look and sound for a while now and looked forward to giving them a serious... Field Test: RTZ 9762 Dual-Combo Mic PreampJan 1, 2006, By Barry Rudolph The 2-channel RTZ 9762 is a single-rackspace remake of the Class-A Neve 1272 microphone preamp. The 9762 adds to the original's operation and sonics with... Field Test: Phonic PAA3 Portable Audio AnalyzerJan 1, 2006, By Steve La Cerra At some point, every engineer needs to measure audio. Audio test instruments have traditionally been cumbersome and expensive, but progressing technology... Field Test: M&K MPS-1611P Powered MonitorDec 1, 2005, By Michael Cooper I've heard many two-way monitors during the years that delivered on the promise of deep bass extension; however, all but a few did so at the expense of... Field Test: Joemeek oneQ Channel StripDec 1, 2005, By Tony Nunes Joemeek's new channel strip series maintains that classic Joemeek '60s midrange boost and presence, while better integrating into today's modern analog/digital... Field Test: Rupert Neve Designs 5012 Duo Mic PreampDec 1, 2005, By Michael Cooper The 5012 Duo Mic Pre belongs to Rupert Neve Designs' new line of affordable, all-analog signal processors dubbed The Portico Series. Products in the series... Field Test: db audioware Quantum FX Version 2Dec 1, 2005, By Jim Aikin Creative effects processing is the lifeblood of pop music mixes. Doubtless your DAW provides basic tools for sonic mangling, but what if you need more?... Field Test: Groove Tubes Glory CompDec 1, 2005, By Kevin Becka In 2001, Groove Tubes established a beachhead in the high-end market with its ViPRE mic preamp, an all-tube unit with specialized features such as variable... Field Test: Heil Sound PR 40 MicrophoneDec 1, 2005, By Barry Rudolph Although Heil Sound has decades of experience in the live sound and custom home theater industries, and is highly regarded for its quality microphones... Field Test: InnerTUBE Audio Dual Atomic Squeeze BoxNov 1, 2005, By Michael Cooper We've all been here before: You slam a snare drum track with a compressor to put a point on it and then suffer the tedium of gating the resulting pumping... Field Test: Helios 1r Twin Type 69 Mic Pre/EQNov 1, 2005, By Barry Rudolph The Rolling Stones had a silver one in their mobile truck, The Beatles had two green ones at Apple Studios and 10cc had a red one at their Strawberry... Field Test: Apex 460 Tube MicrophoneNov 1, 2005, By Kevin Becka In a sea of inexpensive mics, there is a new contender for your dollars: the Apex 460. Squarely aimed at the engineer on a tight budget, it offers features... Field Test: PreSonus ADL 600 High-Voltage Tube PreampNov 1, 2005, By Michael Cooper The PreSonus ADL 600 is proof that marriage is a beautiful thing. The dual-channel, all-tube preamp was designed by Anthony DeMaria of boutique tube gear... Field Test: Earthworks DK25/R DrumKitNov 1, 2005, By Steve La Cerra Getting a great drum sound is an art that lies somewhere between science and black magic, with myriad variables complicating the process. Techniques vary... Field Test: Ableton Live 5 Performance-Oriented DAWOct 1, 2005, By Jim Aikin Converts to Ableton Live (and they are legion) are used to seeing updates that burst at the seams with new features. Live 5 is no exception. I could have... Field Test: DPA 4006-TL MicrophoneOct 1, 2005, By Joe Hannigan I'm a biased, happy camper with my original 21-year-old pair of B&K 4006s, still in constant use here (and still available, by the way). They've saved... Most Popularadvertisement PollsFree Live Webcast:
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