Field Test: SPL MixDream Summing System

Oct 1, 2005, By Barry Rudolph

Sound Performance Lab (SPL), known for its unique vision of analog signal processing gear, has released the 16-channel MixDream Model 2384. With its advanced...

Snapshot Product Reviews

Oct 1, 2005

SOUNDTOYS ECHOBOY VERSION 1.2 Echo/Delay Plug-In EchoBoy from SoundToys (formerly Wave Mechanics) is an ingenious echo/delay plug-in for Mac OS X and...

Field Test: Ableton Live 5 Performance-Oriented DAW

Oct 1, 2005, By Jim Aikin

Converts to Ableton Live (and they are legion) are used to seeing updates that burst at the seams with new features. Live 5 is no exception. I could have...

Field Test: DPA 4006-TL Microphone

Oct 1, 2005, By Joe Hannigan

I'm a biased, happy camper with my original 21-year-old pair of B&K 4006s, still in constant use here (and still available, by the way). They've saved...

Field Test: Universal Audio 8110 Microphone Preamp

Sep 1, 2005, By Kevin Becka

Universal Audio is generally known these days for re-releases of its legacy analog processors such as the LA-2A and 1176, along with some newer combo...

Field Test: Apple Soundtrack Pro Audio Editor/Recorder

Sep 1, 2005, By George Petersen

When Apple first unveiled Soundtrack a few years ago, I was impressed by its ability to handle loops and audio clips to quickly create music scores for...

Field Test: Chandler Limited Mini Rack Mixer

Sep 1, 2005, By Barry Rudolph

Chandler Limited is known for designing new products with a vintage spin. Its latest, the Mini rack mixer, features Chandler's version of the classic...

Field Test: Sennheiser Evolution 900 Series

Sep 1, 2005, By Barry Rudolph

The Sennheiser Evolution 900 Series microphones are like a new palette of colors for an engineer 10 exquisitely designed tools to enable vivid live sound...

Field Test: Waves L3 Multiband Peak Limiter, Maximizer

Sep 1, 2005, By Michael Cooper

Few plug-ins have garnered as widespread use as Waves' L1 and L2. The Waves L3 takes those plug-ins to the next performance level. The 24-bit L3 comprises...

Field Test: ADAM P33A Studio Monitors

Sep 1, 2005, By Joe Hannigan

The ADAM P33A speakers are a downsized version of the company's popular S3A speaker and are aimed at near/mid-field monitoring applications, where powerful...

Field Test: AEA R92 Ribbon Microphone

Aug 1, 2005, By Kevin Becka

What? Another great affordable ribbon mic to put in the locker? And you don't have to click your heels three times and make a wish to get it? The Audio...

Field Test: KRK V8 Series II Active Near-Field Monitors

Aug 1, 2005, By Tony Nunes

For some audio engineers, choosing the right monitor can be a never-ending quest. To most, it's all about accuracy, flat response and translation at the...

Field Test: MindPrint EN-VOICE MK II Tube Preamp

Aug 1, 2005, By Joe Hannigan

It seems that MindPrint has the seven-year itch. Based on the success of its EN-VOICE Class-A mic preamp, which launched in 1998, the company has now...

Field Test: Tascam DV-RA1000 CD/DVD Recorder

Aug 1, 2005, By Erik Zobler

If Les Paul is considered the father of multitrack recording, then Tascam should be considered the pioneer of home studio recording. The company started...

Field Test: Native Instruments Kontakt 2 Sampler

Aug 1, 2005, By John McJunkin

In the sampling world, cross-compatibility with file formats and a friendly user interface are king. But if you want to hang with the big dogs, you've...

Field Test: Primera BravoPro CD/DVD Duplicator/Printer

Jul 1, 2005, By Rick Spence

In the duper wars, speed and the set-and-forget factor rule. No one wants to baby-sit a robot as it churns through a burn run of 100 discs, especially...

Field Test: TC Electronic EQ Station

Jul 1, 2005, By Mark Frink

When it comes to working in a live sound environment, an engineer often uses a different sound system each night. Up until now, the idea of carrying your...

Field Test: Quested S7 Powered Reference Monitor

Jul 1, 2005, By Michael Cooper

British manufacturer Quested is no stranger to high-end studios. The company's reference monitors have been installed in such iconic music production...

Field Test: USB Ultra Focus Virtual Instrument

Jul 1, 2005, By Michael Cooper

Purists believe that virtual instruments that emulate classic synthesizers never sound quite as good as the real thing. The engineers at Ultimate Sound...

Field Test: Sony Acid Pro 5 Loop Editing Software

Jul 1, 2005, By David Weiss

Loop-based music production and Acid software have gone hand-in-hand since 1998, when Sonic Foundry first introduced the program. Since then, the range...

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