Field Test: Tascam US-2400 ControllerMar 1, 2005, By Nick Batzdorf Using a console is almost like playing an instrument, and it takes a healthy number of faders to bring that feeling to a DAW. Tascam equipped its flagship... Field Test: Manifold Labs Plugzilla Plug-In PlayerMar 1, 2005, By Michael Cooper Manifold Labs' Plugzilla offers a compact solution for engineers taking plug-ins on the road for live performances or for DAW operators who need more... Field Test: SPL GainStation 1 Mic PreampMar 1, 2005, By Michael Cooper To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other... Field Test: MBHO MBP 604 N MicrophoneMar 1, 2005, By Steve La Cerra MBHO may not yet be a household name in the audio industry, but the company has been building capsules and complete microphones for other manufacturers... Field Test: NTI AL1 AcoustilyzerMar 1, 2005, By Eddie Ciletti NTI's Acoustilyzer is a remarkably powerful acoustic measurement tool in the company's handheld package. Not only is it a stand-alone unit, but current... Field Test: CEDAR Audio Cambridge Restoration SystemMar 1, 2005, By K. K. Proffitt My first introduction to the miracles wrought by CEDAR equipment happened more than a decade ago at a Nashville AES meeting. It was the golden age of... Field Test: Ableton Live 4 Audio/MIDI SequencerFeb 1, 2005, By Nick Batzdorf Ableton Live is billed as a sequencing instrument a great description of this popular Mac/Windows program. Live is a specialized digital audio and now... Field Test: Audient ASP008 Microphone PreamplifierFeb 1, 2005, By Steve La Cerra A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient... Field Test: Mackie Digital X Bus ConsoleFeb 1, 2005, By Barry Rudolph Mackie's Digital X Bus console represents an evolutionary jump for compact, powerful and affordable mixing systems used in recording, post-production... Field Test: Soundelux e250 Condenser MicrophoneFeb 1, 2005, By Barry Rudolph Rethinking classic tube microphone design, Soundelux Microphones' cardioid-only e250 condenser mic solves the intrinsic problems encountered when close-miking... Field Test: Aphex Systems 1100MkII Mic PreampFeb 1, 2005, By BARRY RUDOLPH Since introduced in 1999, Aphex's 1100MkI, with its great sound and super-low noise, quickly reached a unique orbit in the vast universe of high-quality... AuditionsJan 1, 2005 CAD EQUITEK E1002 Condenser Microphone After a too-long absence, CAD's popular Equitek studio condenser series is back. The first mic in the new Equitek... Field Test: Cakewalk SONAR 4 Producer EditionJan 1, 2005, By Tony Nunes You can't speak of DAWs and not mention Cakewalk, a huge contender and contributor to the PC audio/MIDI realm. Roughly a year ago, Cakewalk released SONAR... Field Test: Vintech Model 473 Class-A Mic PreampJan 1, 2005, By Michael Cooper Is it possible for a company to offer a quality, retro-style mic pre with usable EQ for $800 a channel? It seems like a lot to ask, but in the case of... Field Test: Apple Logic Pro 7 WorkstationJan 1, 2005, By Kevin Becka What do you get when you cross Apple technology with a German-born DAW? The answer will reveal itself later in this review, but suffice to say, the news... Field Test: Drawmer 1968 Mercenary Edition CompressorJan 1, 2005, By Martin Allen When a re-issue comes in for a review, I typically have one of two reactions. When the original version has issues, I hope that the redesign addressed... Field Test: PreSonus Central StationJan 1, 2005, By Nick Batzdorf If there's anything that the small to medium DAW-based studio can use, it's more desktop space. PreSonus' Central Station accomplishes this and provides... Field Test: Focusrite The Liquid Channel ProcessorDec 1, 2004, By Michael Cooper If imitation is the most sincere form of flattery, then the new 2U, split-personality processor from Focusrite is a down-right apple polisher.... Field Test: SE Electronics SE1A, SE2 and SE3 MicsDec 1, 2004, By Kevin Becka I have a friend, a self-proclaimed audio snob, who swears that if he ever heard a great-sounding Chinese microphone, it would be one of the signs of the... Field Test: Blue Sky MediaDesk 2.1 Monitoring SystemDec 1, 2004, By Bobby G. Frasier Is the world ready for a diminutive speaker system that is articulate, affordable, basically sounds great and is expandable to 5.1? Blue Sky has created... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound