Field Test: Manifold Labs Plugzilla Plug-In PlayerMar 1, 2005, By Michael Cooper Manifold Labs' Plugzilla offers a compact solution for engineers taking plug-ins on the road for live performances or for DAW operators who need more... Field Test: CEDAR Audio Cambridge Restoration SystemMar 1, 2005, By K. K. Proffitt My first introduction to the miracles wrought by CEDAR equipment happened more than a decade ago at a Nashville AES meeting. It was the golden age of... Field Test: SPL GainStation 1 Mic PreampMar 1, 2005, By Michael Cooper To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other... Field Test: MBHO MBP 604 N MicrophoneMar 1, 2005, By Steve La Cerra MBHO may not yet be a household name in the audio industry, but the company has been building capsules and complete microphones for other manufacturers... Field Test: Universal Audio LA-610 Channel StripMar 1, 2005, By Michael Cooper If I were to list my five favorite analog processors of all time, the Universal Audio LA-2A leveling amplifier and 2-610 tube preamp would easily make... Field Test: Holophone H2 Pro Surround MicrophoneMar 1, 2005, By Kevin Becka What will Canadian ingenuity and eight Danish transducers get you? One great-sounding surround recording system. The Holophone H2 Pro is the second incarnation... Field Test: Mackie Digital X Bus ConsoleFeb 1, 2005, By Barry Rudolph Mackie's Digital X Bus console represents an evolutionary jump for compact, powerful and affordable mixing systems used in recording, post-production... Field Test: Aphex Systems 1100MkII Mic PreampFeb 1, 2005, By BARRY RUDOLPH Since introduced in 1999, Aphex's 1100MkI, with its great sound and super-low noise, quickly reached a unique orbit in the vast universe of high-quality... Field Test: Soundelux e250 Condenser MicrophoneFeb 1, 2005, By Barry Rudolph Rethinking classic tube microphone design, Soundelux Microphones' cardioid-only e250 condenser mic solves the intrinsic problems encountered when close-miking... Field Test: Audient ASP008 Microphone PreamplifierFeb 1, 2005, By Steve La Cerra A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient... Field Test: Ableton Live 4 Audio/MIDI SequencerFeb 1, 2005, By Nick Batzdorf Ableton Live is billed as a sequencing instrument a great description of this popular Mac/Windows program. Live is a specialized digital audio and now... Field Test: Apple Logic Pro 7 WorkstationJan 1, 2005, By Kevin Becka What do you get when you cross Apple technology with a German-born DAW? The answer will reveal itself later in this review, but suffice to say, the news... Field Test: PreSonus Central StationJan 1, 2005, By Nick Batzdorf If there's anything that the small to medium DAW-based studio can use, it's more desktop space. PreSonus' Central Station accomplishes this and provides... Field Test: Drawmer 1968 Mercenary Edition CompressorJan 1, 2005, By Martin Allen When a re-issue comes in for a review, I typically have one of two reactions. When the original version has issues, I hope that the redesign addressed... AuditionsJan 1, 2005 CAD EQUITEK E1002 Condenser Microphone After a too-long absence, CAD's popular Equitek studio condenser series is back. The first mic in the new Equitek... Field Test: Cakewalk SONAR 4 Producer EditionJan 1, 2005, By Tony Nunes You can't speak of DAWs and not mention Cakewalk, a huge contender and contributor to the PC audio/MIDI realm. Roughly a year ago, Cakewalk released SONAR... Field Test: Vintech Model 473 Class-A Mic PreampJan 1, 2005, By Michael Cooper Is it possible for a company to offer a quality, retro-style mic pre with usable EQ for $800 a channel? It seems like a lot to ask, but in the case of... Field Test: Focusrite The Liquid Channel ProcessorDec 1, 2004, By Michael Cooper If imitation is the most sincere form of flattery, then the new 2U, split-personality processor from Focusrite is a down-right apple polisher.... Field Test: Adobe Audition Version 1.5 PC-Based DAWDec 1, 2004, By Tony Nunes Recent acquisitions of audio companies by much larger video companies have made some unusual bedfellows. Arguably, the company that has done the most... Field Test: Waves IR-1 Parametric Convolution Reverb Plug-InDec 1, 2004, By Erik Zobler When I first heard about Waves' IR Parametric Convolution Reverb, the letters IR and the word puzzled me. After some research, I figured out what was... Most PopularPollsMix Regional
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