Field Test: CEDAR Audio Cambridge Restoration System

Mar 1, 2005, By K. K. Proffitt

My first introduction to the miracles wrought by CEDAR equipment happened more than a decade ago at a Nashville AES meeting. It was the golden age of...

Field Test: SPL GainStation 1 Mic Preamp

Mar 1, 2005, By Michael Cooper

To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other...

Field Test: MBHO MBP 604 N Microphone

Mar 1, 2005, By Steve La Cerra

MBHO may not yet be a household name in the audio industry, but the company has been building capsules and complete microphones for other manufacturers...

Field Test: Universal Audio LA-610 Channel Strip

Mar 1, 2005, By Michael Cooper

If I were to list my five favorite analog processors of all time, the Universal Audio LA-2A leveling amplifier and 2-610 tube preamp would easily make...

Field Test: Holophone H2 Pro Surround Microphone

Mar 1, 2005, By Kevin Becka

What will Canadian ingenuity and eight Danish transducers get you? One great-sounding surround recording system. The Holophone H2 Pro is the second incarnation...

Field Test: NTI AL1 Acoustilyzer

Mar 1, 2005, By Eddie Ciletti

NTI's Acoustilyzer is a remarkably powerful acoustic measurement tool in the company's handheld package. Not only is it a stand-alone unit, but current...

Field Test: Ableton Live 4 Audio/MIDI Sequencer

Feb 1, 2005, By Nick Batzdorf

Ableton Live is billed as a sequencing instrument a great description of this popular Mac/Windows program. Live is a specialized digital audio and now...

Field Test: Mackie Digital X Bus Console

Feb 1, 2005, By Barry Rudolph

Mackie's Digital X Bus console represents an evolutionary jump for compact, powerful and affordable mixing systems used in recording, post-production...

Field Test: Aphex Systems 1100MkII Mic Preamp

Feb 1, 2005, By BARRY RUDOLPH

Since introduced in 1999, Aphex's 1100MkI, with its great sound and super-low noise, quickly reached a unique orbit in the vast universe of high-quality...

Field Test: Soundelux e250 Condenser Microphone

Feb 1, 2005, By Barry Rudolph

Rethinking classic tube microphone design, Soundelux Microphones' cardioid-only e250 condenser mic solves the intrinsic problems encountered when close-miking...

Field Test: Audient ASP008 Microphone Preamplifier

Feb 1, 2005, By Steve La Cerra

A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient...

Field Test: Apple Logic Pro 7 Workstation

Jan 1, 2005, By Kevin Becka

What do you get when you cross Apple technology with a German-born DAW? The answer will reveal itself later in this review, but suffice to say, the news...

Field Test: PreSonus Central Station

Jan 1, 2005, By Nick Batzdorf

If there's anything that the small to medium DAW-based studio can use, it's more desktop space. PreSonus' Central Station accomplishes this and provides...

Field Test: Drawmer 1968 Mercenary Edition Compressor

Jan 1, 2005, By Martin Allen

When a re-issue comes in for a review, I typically have one of two reactions. When the original version has issues, I hope that the redesign addressed...

Auditions

Jan 1, 2005

CAD EQUITEK E1002 Condenser Microphone After a too-long absence, CAD's popular Equitek studio condenser series is back. The first mic in the new Equitek...

Field Test: Cakewalk SONAR 4 Producer Edition

Jan 1, 2005, By Tony Nunes

You can't speak of DAWs and not mention Cakewalk, a huge contender and contributor to the PC audio/MIDI realm. Roughly a year ago, Cakewalk released SONAR...

Field Test: Vintech Model 473 Class-A Mic Preamp

Jan 1, 2005, By Michael Cooper

Is it possible for a company to offer a quality, retro-style mic pre with usable EQ for $800 a channel? It seems like a lot to ask, but in the case of...

Field Test: Focusrite The Liquid Channel Processor

Dec 1, 2004, By Michael Cooper

If imitation is the most sincere form of flattery, then the new 2U, split-personality processor from Focusrite is a down-right apple polisher....

Field Test: Adobe Audition Version 1.5 PC-Based DAW

Dec 1, 2004, By Tony Nunes

Recent acquisitions of audio companies by much larger video companies have made some unusual bedfellows. Arguably, the company that has done the most...

Field Test: Waves IR-1 Parametric Convolution Reverb Plug-In

Dec 1, 2004, By Erik Zobler

When I first heard about Waves' IR Parametric Convolution Reverb, the letters IR and the word puzzled me. After some research, I figured out what was...

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