Field Test: Waves IR-1 Parametric Convolution Reverb Plug-InDec 1, 2004, By Erik Zobler When I first heard about Waves' IR Parametric Convolution Reverb, the letters IR and the word puzzled me. After some research, I figured out what was... Field Test: Native Instruments Guitar RigDec 1, 2004, By Michael Cooper Who needs yet another guitar amp simulator/multi-effects box? When it's done this well, the answer is we do! Native Instruments' Guitar Rig is both stand-alone... Field Test: Adobe Audition Version 1.5 PC-Based DAWDec 1, 2004, By Tony Nunes Recent acquisitions of audio companies by much larger video companies have made some unusual bedfellows. Arguably, the company that has done the most... Field Test: AEA R88 Stereo Ribbon MicrophoneNov 1, 2004, By Kevin Becka Tone junkies rejoice! There is a wonderful new way to get your fix and it's called the AEA R88. Looking like something from a '50s sci-fi film, this stealth-black... Field Test: EastWest Quantum Leap Symphonic OrchestraNov 1, 2004, By Nick Batzdorf The EastWest Quantum Leap Symphonic Orchestra (EWQLSO) takes the concept of sampling to the next level. The disk streaming library offers recordings from... Field Test: Taylor Guitars/Rupert Neve Expression SystemNov 1, 2004, By George Petersen I was walking around the Winter NAMM show a year ago and ran across Rupert Neve. I wondered why this dean of analog electronic design was at an MI show.... Field Test: Demeter VTMP-2c Microphone PreampNov 1, 2004, By Martin Allen Leaving your teens is always an event, even if you're a mic preamp. Commemorating the upcoming 20th anniversary of the VTMP-2, Demeter Amplification is... Field Test: dbx 162SL Stereo Compressor/LimiterNov 1, 2004, By Steve La Cerra What good can come of crossing a blue-blooded compressor with an upstart? dbx knows! Its Purple Series 162SL Compressor/Limiter offers stellar performance... Field Test: Eventide Octavox HarmonizerNov 1, 2004, By Barry Rudolph If you're a Pro Tools user, I'm certain one question has been on your mind: Why isn't there a good Harmonizer plug-in? Eventide has answered the question... Field Test: Universal Audio 2-1176 Dual Limiting AmplifierNov 1, 2004, By Michael Cooper The 2-1176 Dual Limiting Amplifier is a 2-channel version of Universal Audio's '60s-era 1176 and uses the same FETs (for gain control elements) and output... Field Test: Apogee AD-16X and DA-16X ConvertersNov 1, 2004, By Michael Cooper Apogee topped itself with the release of its latest product, the AD-16X and DA-16X converters. The new units replace the company's similarly named AD-16... Field Test: Lynx AES16 AES/EBU Interface UpdatesOct 1, 2004, By K.K. Proffitt Macintosh power users rejoiced on Internet forums when the long-awaited OS X drivers for the Lynx AES16 and AES16-SRC PCI interface cards arrived in June... Field Test: Nautilus NEMO DMC-8 Monitor ControllerOct 1, 2004, By Erik Zobler Mastering engineer John Vestman is often asked, How do I make my mixes sound better? The answer could easily fill a book, but Vestman's initial reply... Snapshot Product ReviewsOct 1, 2004 RANDALL RM4 AND RT2/50 Guitar Tube Preamp/Amplifier Getting a great guitar sound is all about tone, and the amp is a major part of that. We've seen all... Field Test: MOTU MachFive Software SamplerOct 1, 2004, By Michael Cooper Until recently, Native Instruments' Kontakt, Apple/Logic's EXS-24 and Tascam's GigaStudio have arguably led the market for software-based samplers. Now,... Field Test: Genelec 8050A Reference MonitorsOct 1, 2004, By Kevin Becka Genelec Messes With Success! was the headline I envisioned when I heard that the Finnish company was attempting a major redo of its ubiquitous studio... Field Test: Bag End INFRASUB-12 Pro Powered SubwooferSep 1, 2004, By Joe Hannigan Bag End has been making speakers and subwoofers for nearly three decades, creating its first sub in 1986 that went down to 30 Hz and then building an... Field Test: AKG C414B-XLS and C414B-XL II MicrophonesSep 1, 2004, By Barry Rudolph Since 1971, the original C 414 Comb's birth date, AKG has upgraded, optimized and improved this studio standard's specs and feature set when better electronic... Field Test: Royer Labs SF-24 Stereo Ribbon MicSep 1, 2004, By Kevin Becka What's better than a stereo ribbon microphone? In the case of the new Royer SF-24, the answer is a stereo ribbon microphone with plenty of output gain... Field Test: M-Audio Octane Mic Preamp, A/D ConverterSep 1, 2004, By Nick Batzdorf The world is full of sound cards and other digital Lightpipe-capable devices waiting to be unlocked to the analog realm. M-Audio has answered that need... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound