RECORDING
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The year 1977 was, shall we say, a transitional period around the L.A. music scene. On the plus side, the most popular studios were booked around the...
At first glance, a deranged elderly woman and her equally afflicted middle-aged daughter might not seem the likeliest central characters in a musical,...
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May 1, 2012 9:00 AM, By Bud Scoppa
Standing on a stage surrounded by her band in the packed tracking room of Hollywood’s EastWest Studios, LP looks like she’s just stepped out of a scene in Todd Haynes’ Bob Dylan fantasia, I’m Not There, as one of the film’s multiple Dylans. A mop of Dionysian curls, a la the inscrutable figure on the cover of Blonde on Blonde, nearly hides her face, and her slender frame is encased in a snug black jacket and pants....
Apr 1, 2012 9:00 AM, By Owen Sartori
Renowned recording engineer and educator Tom Tucker, who worked on best-selling records with such artists as Lucinda Williams, Prince, Johnny Lang and Soul Asylum, died unexpectedly on March 1, 2012, at the age of 63....
Mar 26, 2012 7:11 PM, By Alison Richter
Before signing with Warner Bros. Records Nashville, Randy Travis spent a decade looking for a recording contract, and being rejected by everyone. In 1985, when engineer/producer Kyle Lehning first heard the artist then using the stage name “Randy Ray,” Travis was working as the catfish cook at the Nashville Palace; he would perform short sets when he could take a break from his shift in the kitchen. ...
Recording: Mixing
May 1, 2012 9:00 AM, By Bud Scoppa
Standing on a stage surrounded by her band in the packed tracking room of Hollywood’s EastWest Studios, LP looks like she’s just stepped out of a scene in Todd Haynes’ Bob Dylan fantasia, I’m Not There, as one of the film’s multiple Dylans. A mop of Dionysian curls, a la the inscrutable figure on the cover of Blonde on Blonde, nearly hides her face, and her slender frame is encased in a snug black jacket and pants....
Mar 26, 2012 7:11 PM, By Alison Richter
Before signing with Warner Bros. Records Nashville, Randy Travis spent a decade looking for a recording contract, and being rejected by everyone. In 1985, when engineer/producer Kyle Lehning first heard the artist then using the stage name “Randy Ray,” Travis was working as the catfish cook at the Nashville Palace; he would perform short sets when he could take a break from his shift in the kitchen. ...
Mar 1, 2012 9:00 AM, By Mel Lambert
Oscar-nominated composer and musician Danny Elfman is best known for his complex scores to nearly every film by director and longtime friend Tim Burton; titles have included Alice in Wonderland, Charlie and the Chocolate Factory, Sleepy Hollow and Batman. The one-time leader of the new-wave band Oingo Boingo has also written scores for many other disparate films, such as Spider-Man, Milk, The Wolfman, Terminator Salvation and the upcoming Men in Black III, and is responsible for the themes of TV shows ranging from The Simpsons to Desperate Housewives....
Recording: Mastering
Jan 1, 2012 9:00 AM, By Sarah Benzuly
Symbiotic Records recording artist Ignacio Val has just completed mastering on his debut self-titled album at Bernie Grundman Mastering. The album was produced by Scott Pounds and engineered by Fausto Juarez at Lamat Studios (Glendale, Calif.). Mastering engineer Joe Bozzi received the 24-bit/44.1k split-mono WAV files, approaching his mix as if it were a rock album. ...
Jan 1, 2012 9:00 AM, By Candace Horgan
The Grateful Dead’s Europe 1972 tour is legend among Deadheads, in no small part because it spawned four prior releases, including Europe 72 and Steppin’ Out. This year, Dead archivist David Lemieux spearheaded a 73-CD box set of the entire tour. All 7,200 sets sold out, and each show has been released individually. A three-person team made it happen.
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Dec 12, 2011 7:37 PM, By Barbara Schultz
Open this treasure chest and feast your ears and eyes: RCA Legacy’s Young Man With the Big Beat contains five CDs of remastered classics, rare live performances and interviews, plus a vinyl-sized book packed with rare photos and facts, all documenting the year the King rose to national fame, 1956. Included are Presley’s classic versions of “Blue Suede Shoes,” “Heartbreak Hotel,” “Hound Dog,” “Don’t Be Cruel” and dozens more. This is just the latest irresistible package to be culled from RCA’s vaults by producer Ernst Mikael Jorgenson, who has built a career on championing Presley’s catalog.
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