Southeast U.S. News & Notes

Jul 1, 2013 9:00 AM, Mix, By The Mix Editors


Education Guide

Mix is gearing up to present its longstanding annual Audio Education Guide in its November 2014 issue. Want to have your school listed in the directory, or do you need to update your current directory listing? Add an image, program description, or a logo to your listing! Get your school in the Mix Education Guide 2014.

L to R: Davell Crawford, Dr. John, David Farrell

L to R: Davell Crawford, Dr. John, David Farrell

Crawford’s ‘Gift’ to Fans

By Barbara Schultz

Davell Crawford’s My Gift to You is a beautiful new album of NOLA music that stems from the singer/composer/pianist’s roots in soul, jazz, funk and blues. Gift features appearances by Dr. John, Crawford’s regular rhythm players—bassist Mark Brooks and drummer Joe Dyson Jr.—and a host of musicians that Crawford hand-picked to complement each tune.

Tracks were captured to Pro Tools, mostly in The Music Shed (New Orleans), by veteran engineer/mixer David Farrell, who—before Katrina washed it away—was co-owner of the famed Ultrasonic Studios. Farrell continues to have a very busy career, recording in other local rooms and mixing 30-plus albums a year in his personal studio.

“We like Music Shed because they have a nice big room, and I think they have the best piano in town; it’s a Yamaha C7 with a big, rich sound,” Farrell says. Farrell mics the C7 with a pair of AKG 414s in an X-Y stereo configuration. “The mics are placed probably about 12 inches above the hammers,” he says. “As long as you place them right in the structure, a little favoring the low end over the high end, you get a beautiful, sweet sound.”

Those piano mics, and the U 87 on Crawford’s vocal, went to the studio’s API mic pre’s; other instruments were miked with models from the Music Shed’s cabinet. “Everything went down live for the most part,” Farrell says, “including some of the vocals. All of the arrangements flowed from Davell, and the foundations of the songs always went down as a group. We augmented with other things on top of that, but Davell is always very conscious of capturing the spirit of the songs, and that spirit happens when everyone plays together.”

How Does Your Garden Grow? album cover

Better Than Ezra’s ‘Garden’ Grows in 5.1

By Blair Jackson

Don’t tell Richard LaBonté that selling 5.1 surround audio albums is an experiment that already failed. The successful advertising/marketing executive, who has worked in and around the fringes of the music business for many years, has launched a company called Music Valet ( to put out 5.1 audio releases designed, in part, to cater to the expanding market of people with surround audio systems in their cars. LaBonté has two Acura TLs equipped with Elliot Sheiner ELS 5.1 systems and was frustrated by the lack of suitable titles, so he decided to start making his own.

His first choice is How Does Your Garden Grow?, an ambitious, highly textural 1998 release by the New Orleans band Better Than Ezra, produced by Malcolm Burn at the group’s Fudge Studios. “I did not make this record with some huge sales goal,” he says. “I thought, ‘I want to do it my way and I’m going to launch this with an esoteric record I love that people will either know or they won’t, and this will really show what we can do.’”

After getting the group’s approval and licensing the title from Rhino, LaBonté had the original analog multitrack masters transferred to digital by Lowell Reynolds at Blackbird Studio in Nashville, then brought in engineer Jay Rustin (Metallica, Brian Wilson, Leonard Cohen) to do the surround mix at TRS West in Sherman Oaks, Calif. The already sonically interesting album “was perfect for 5.1,” LaBonté says. “Besides putting some of the electronic blips and bleeps, drum loops and a lot of the ear candy in the back [speakers], it has these string parts by Karl Berger that sound gorgeous in surround.” And with songs that range from driving pop to lush ballads to punky alt-rock, the album has plenty of variety.

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