EvanescenceAug 1, 2003, By Bryan Reeseman When Evanescence guitarist Ben Moody calls Mix from the road, his band is setting up at a Milwaukee venue called The Rave.... The RootsAug 1, 2003, By Chris J. Walker As one of the few actual performing groups in hip hop, The Roots have been enormously influential and successful during their 12 years on the scene.... Classic Tracks: Patsy Cline's "Crazy"Aug 1, 2003, By Barbara Schultz No one could touch her. Her voice was one of the most ravishing instruments ever recorded.... Wyclef JeanAug 1, 2003, By Sarah Benzuly “Producers are really…you just know that you're created to produce.” Subconsciously, Wyclef Jean knew from a very early age that music would play a very large role in his life.... Fleetwood Mac Is Back!Jul 1, 2003, By Blair Jackson "Things are good," Lindsey Buckingham says cheerily on the eve of Fleetwood Mac's cross-country tour. "We've got a nice fresh set going and a fresh album that we all like. The band sounds really good. I've got two great kids [both under 5]. It's really a nice time for me...... Stanley Clarke Fits in a Solo CareerJul 1, 2003, By Chris J. Walker Though jazz and fusion superbassist Stanley Clarke has been ubiquitous on the music scene for decades now, playing a strong, supportive role with a wide variety of disparate artists, it has been a decade since he put out an album of his own music.... Richard DoddJul 1, 2003, BY RICK CLARK The career of engineer, producer and mixer Richard Dodd has taken many interesting twists and turns over the past three decades.... Justin NiebankJul 1, 2003, BY MAUREEN DRONEY It wasn't easy to catch up with Justin Niebank. A Nashville-based producer/engineer with a penchant for roots music, Niebank was in the middle of three projects the week I first tried to reach him: mixing for Brad Paisley, cutting vocals with Rebecca Lynn Howard and recording a Keith Urban single.... Producer Mark HudsonJul 1, 2003, By Matt Hurwitz Former Beatle Ringo Starr calls it, simply, The Cupboard. It's a shrine to The Beatles in more ways than one: a tiny wooden office over a Thai restaurant in West Los Angeles, up whose rickety wooden back stairs have climbed some of the biggest names in modern music to drop in, laugh and make dynamite records.... Classic Tracks: Arlo Guthrie's "City of New Orleans"Jul 1, 2003, By Dan Daley Sometimes, a so-called "career record" can affect more than one career. When Arlo Guthrie's cover of the late Steve Goodman's paean to America's fading railroads, "City of New Orleans," came out as the single from Guthrie's Hobo's Lullaby LP in 1972, it gave the folk-singing son of America's own hobo poet laureate, Woody Guthrie, his first bona fide chart hit.... Rosanne Cash Hits New HeightsJun 1, 2003, By Elianne Halbersberg Like the beginning of a classic Dickens novel, the past few years have been the best of times and the worst of times for Rosanne Cash.... Dualtone: Small and ProudMay 1, 2003, BY BARBARA SCHULTZ Scott Robinson and Dan Herrington - partners in the two-year-old, Nashville-based Dualtone label - have earned their badges and wear them proudly.... Working SmartMay 1, 2003, BY MAUREEN DRONEY Anybody who's spent time in a studio lately has observed what happens when inexperienced producers collide with the endless choices offered by digital recording.... Maintenance and the Music BusinessMay 1, 2003, BY EDDIE CILETTI Mix readers know me as a career tech. I'm the geek who chats with electrons. The job chose me a long time ago, and though I fought it for a while, being an engineer with tech chops opened some doors and became a stepping stone into production.... Counting CrowsApr 1, 2003, By Gaby Alter It's been 10 years since the Counting Crows' first single Mr. Jones hooked listeners with its Van Morrison-esque opening, and introduced the world to... The Police's ''Every Breath You Take''Apr 1, 2003, By Robyn Flans Police drummer Stewart Copeland still can't listen to Synchronicity without thinking of the last tough days he spent recording with The Police. The band had burst onto the scene with its unique sound - punk/new wave energy infused with ska and reggae - on Outlandos d'Amour in 1978, but as the band's popularity grew, a power struggle within the trio ensued.... Susan TedeschiApr 1, 2003, By David John Farinella Apparently, the two-time Grammy Award-nominated blues-rock artist Susan Tedeschi has never heard the term keep it simple. How do we know that? Consider... Jim ScottApr 1, 2003, BY MAUREEN DRONEY When you're tired of sound-alike mixes and you want your music to sound like your band instead of some over-EQ'd, overcompressed, generic dreck, who ya... Rick DiFonzoApr 1, 2003, BY GARY ESKOW You've played screaming guitar solos before the largest audience in entertainment history, tracked some tasty acoustic solos for a picky client named... Porcupine TreeApr 1, 2003, By Bryan Reesman It is rare these days that a band hits the mainstream combining the power to rock ferociously with an intellectual, arty vision. Yet, for more than a... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound