Safeguarding Sonic TreasuresDec 1, 2005, By George Petersen Long, long ago, in a simpler place and time, audio meant finding a dark, dry, cool place to park those 2-inch and -inch tape boxes after a project was... The Big SqueezeDec 1, 2005, By Sarah Jones Music mixes have always been defined by the release format. Back in the days of vinyl, physical limitations forced artists and engineers to weigh issues... The Mastering LabDec 1, 2005, By Heather Johnson Grammy-winning mastering engineer and audio pioneer Doug Sax looks out onto very different vistas these days. From his new 5.1-equipped Mastering Lab... The Masters Come AliveDec 1, 2005, By Paul D. Lehrman What is the point of restoring a historical music recording? Is it to re-create the recording session so we can hear the original instruments, the room... Remarkable RestorationsOct 1, 2005, By Blair Jackson It's hard to beat a really good CD box set one that is comprehensive, aesthetically pleasing, historically illuminating and sonically successful. It is... The Resolution ProjectOct 1, 2005, By KK Proffitt In the past few years, one of the most hotly debated topics on pro audio Internet forums has been high-resolution audio and its effect (or lack of) on... Breaking the MoldJun 1, 2005, Compiled by Sarah Benzuly Bruce Maddocks, chief engineer/owner of Cups N Strings (Santa Monica, Calif.), met with The Mountain Apple Company (Waikiki), which contracted Maddocks... Marcussen Mastering Sparkles With PowderJan 1, 2005, Compiled by Heather Johnson band Powder (www.powdermusic.com) dropped by Marcussen Mastering in Hollywood, Calif., to wrap up their forthcoming Continental Records release with engineer... Hottest New VideoMost Popularadvertisement PollsOn Demand Webcast:
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