Dec 1, 2009,
By Sarah Jones
These are tricky times for mastering engineers. While one could argue that mastering engineers are always the line between mixing and mastering is blurring....
Dec 1, 2009,
By Tom Kenny
There are a couple of legacies rippling through this month's Mix cover. The first involves the owner, mastering engineer Michael Romanowski, who came...
Dec 1, 2009,
By David Weiss
The lure of New York City is strong, but there are issues that can break Gotham's magnetic grip on the musically minded. Why master in the granite canyons...
Dec 1, 2009,
By Peter Cooper
Eric Conn's life shifted with the change of a head stack. I was a music major in college, but I didn't know anything about recording and I'd never even...
Dec 1, 2009,
By Bud Scoppa
For years, as I made the daily commute from Studio City to Hollywood through the Cahuenga Pass, I drove past the iconic mid-century building that housed...
Dec 1, 2009,
By Blair Jackson
How did your background in conventional recording prepare you for mastering? In myriad ways. I've done just about everything you can possibly do in professional...
Dec 1, 2009,
By Tom Kenny, Editorial Director
The Recording Academy's Producers & Engineers Wing put on yet another dynamite panel in October, its 26th with the Audio Engineering Society. Titled Mixing...
Dec 1, 2009,
By Barbara Schultz
For the past five years, Terra Nova Mastering (www.terranovamaster ing.com) has handled all of New West Records' Austin City Limits releases a series...
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