Dialog Replacement 101Nov 1, 2006, By Blair Jackson So far in our periodic in-depth series about the film sound chain, we've looked at production sound mixing (April 2004), sound effects recording (July... To Preserve or Enhance?Nov 1, 2006, By Eddie Ciletti Once upon a time, repair requests were and most customers were happy if the item in question passed audio. Ever since digital audio put analog gear under... Notes From the Producers & Engineers Wing of the Recording AcademyNotes From the Producers & Engineers Wing of the Recording AcademyOct 1, 2006, By Maureen Droney Often, when you ask an audio engineer what his or her most important piece of equipment is, the reply will be, My ears! It's a good answer; without great,... Steve MillerOct 1, 2006, By Craig Dalton The history of Steve Miller and the Steve Miller Band is not just his story, but also the story of rock 'n' roll and the technology that has driven both... The Outer Limits of PortabilityOct 1, 2006, By Kevin Becka Back in February of 2004, Mix put the Apple G5 to the test, including the playback of DSP-intensive instruments while recording a live band, support for... Jeff GlixmanOct 1, 2006, By David John Farinella Before producer Jeff Glixman had even set foot on the other side of the glass, it seemed his fate was sealed. During Glixman's performing days he played... Installation BasicsOct 1, 2006, By Eddie Ciletti In any installation, the fundamentals are the same: Wiring may be the most obvious factor, but it's just one consideration. First and foremost, when you're... Classic Tracks: Ray Parker Jr.'s "Ghostbusters"Sep 1, 2006, By Blair Jackson By the time Ray Parker Jr. hit the top of the charts in 1984 with that instantly infectious slice of R&B/pop fluff called the Number One theme song from...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound