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Technology Spotlight: Microsoft Windows Media Audio 9

May 1, 2004, By Tom Kenny

Two years ago at NAB, Microsoft had a relatively small booth tucked into the very last row of the newly opened South Hall, sharing space with Steinberg, M-Audio and a couple of video companies....

The Console-Workstation Interface

May 1, 2004, By Mel Lambert

As mixers, our dream is an all-in-one system that allows complete bi-directional control of workstation and console functions in real time....

Ghosts in the Machine

May 1, 2004, By Paul D. Lehrman

How many Elvis clones does it take to change a lightbulb? None. We have machines for that now. Remember when drummers were the butt of that joke? It was...

Alanis Morissette

Apr 1, 2004, By Matt Hurwitz

“I can be an asshole of the grandest kind,” Alanis Morissette sings as she walks across a cavernous green-screen soundstage at Hollywood's historic Raleigh Studios, filming her latest music video for “Everything.”...

Jimmy Jam

Apr 1, 2004, By Heather Johnson

Prince must have kicked himself squarely in his purple paisley derrière after firing his keyboardist and bassist back in 1983....

Cyndi Lauper's Girls Just Wanna Have Fun

Apr 1, 2004, By Gaby Alter

Much the way Britney Spears and Christina Aguilera have been played off against each other in the press in recent years, Cyndi Lauper was often compared to Madonna in 1983 and 1984, the years Lauper made her solo debut with She's So Unusual and Madonna released her first two discs....

They Go to 33

Apr 1, 2004, Compiled by Sarah Benzuly

33 Hz (Outlook Music) returned to The Cutting Room's (New York City) Studio A to finish mixing their debut record with engineer Cyrille Taillandier (Mya, Lenny Kravitz) and assistants Steve Rakidzioski and Chris McGuiness....

Ensemble Studios on Gods, Trolls and Minotaurs

Mar 1, 2004, By Blair Jackson

Ensemble Studios in Dallas is one of the most successful publishers of what are known as real-time strategy games....

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Nashville Stories

Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.


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