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Not Just for Dance Music Anymore

Feb 1, 2004, By Erik Hawkins

When we think of loop-based production, we often imagine techno and dance music or remixed pop hits —...

The 5th Dimension's Aquariaus/Let the Sunshine In

Feb 1, 2004, By Dan Daley

It seems axiomatic that the further back in time we reach, the more the actual making of records becomes almost anticlimactic to what transpired outside of the recording studio's confines....

A Producer That's All Thumbs

Feb 1, 2004, By Paul D. Lehrman

So you wanna talk about desktop production? Heck, I've been doing that since 1986. A Mac, a couple of synths, a Sony PCM-F1 and a cheap VHS deck, and...

Steve Earle

Feb 1, 2004, By Gaby Alter

Steve Earle is not a man to lay idle. Since a stint in drug rehab pulled him out of a personal and career slump in the mid-'90s, the 48-year-old rock/country songwriter has been producing new work at a pace that would leave many younger artists in the dust....

Neil Sedaka's Breaking Up Is Hard to Do

Jan 1, 2004, By Gary Eskow

Born in Brooklyn in 1939, Neil Sedaka was a gifted pianist once lauded by none other than Arthur Rubinstein as one of New York's best young players. Sedaka was on course to become a classical musician and even enrolled at the famous Julliard School, but a collaboration that he and neighbor Howie Greenfield began several years earlier would pull him in a different direction. A slew of hit records, including the Number One worldwide smash, “Breaking Up Is Hard to Do,” would come from t...

B.B. King

Jan 1, 2004, By Chris J. Walker

If 2003 was “The Year of the Blues,” it's appropriate that the undisputed modern master of the genre, B.B. King, put out a fine album in the fall to cap the celebration....

Eric Schilling

Jan 1, 2004, By Maureen Droney

Life never gets boring for Eric Schilling. An engineer with a knack for consistently creating polished pop/rock, Schilling is also in demand for the savvy that he brings to jazz and Latin projects....

Don't Throw Away That Amp!

Jan 1, 2004, By Eddie Ciletti

It might be January for you, but I'm writing this in October, still recovering from the AES show and already thinking about NAMM....

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Nashville Stories

Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.


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