Justin NiebankJul 1, 2003, BY MAUREEN DRONEY It wasn't easy to catch up with Justin Niebank. A Nashville-based producer/engineer with a penchant for roots music, Niebank was in the middle of three projects the week I first tried to reach him: mixing for Brad Paisley, cutting vocals with Rebecca Lynn Howard and recording a Keith Urban single.... Rosanne Cash Hits New HeightsJun 1, 2003, By Elianne Halbersberg Like the beginning of a classic Dickens novel, the past few years have been the best of times and the worst of times for Rosanne Cash.... Get Trigger-Happy With Digital PerformerJun 1, 2003, BY MICHAEL COOPER Mark of the Unicorn’s Digital Performer audio software can be used to trigger drums. Tips for audio professionals using Digital Performer with drum triggers.... Maintenance and the Music BusinessMay 1, 2003, BY EDDIE CILETTI Mix readers know me as a career tech. I'm the geek who chats with electrons. The job chose me a long time ago, and though I fought it for a while, being an engineer with tech chops opened some doors and became a stepping stone into production.... Working SmartMay 1, 2003, BY MAUREEN DRONEY Anybody who's spent time in a studio lately has observed what happens when inexperienced producers collide with the endless choices offered by digital recording.... Rick DiFonzoApr 1, 2003, BY GARY ESKOW You've played screaming guitar solos before the largest audience in entertainment history, tracked some tasty acoustic solos for a picky client named... Posting and Beaming Into the FutureApr 1, 2003, BY PAUL D. LEHRMAN Welcome to the GSPoT! the kid grinned at me. Mr. Grumpmeier told us you were coming. We're really happy you're going to write about us in Mix magazine.... The Time TunnelApr 1, 2003, Eddie Ciletti My first encounter with the EMT-156 dates back to 1982, when I was wrapping up a project with Bay Area band The Mutants (as produced by the late Snakefinger)... Hottest New VideoMost Popularadvertisement PollsOn Demand Webcast:
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