Maintenance and the Music Business

May 1, 2003, BY EDDIE CILETTI

Mix readers know me as a career tech. I'm the geek who chats with electrons. The job chose me a long time ago, and though I fought it for a while, being an engineer with tech chops opened some doors and became a stepping stone into production....

Jim Scott

Apr 1, 2003, BY MAUREEN DRONEY

When you're tired of sound-alike mixes and you want your music to sound like your band instead of some over-EQ'd, overcompressed, generic dreck, who ya...

Porcupine Tree

Apr 1, 2003, By Bryan Reesman

It is rare these days that a band hits the mainstream combining the power to rock ferociously with an intellectual, arty vision. Yet, for more than a...

Counting Crows

Apr 1, 2003, By Gaby Alter

It's been 10 years since the Counting Crows' first single Mr. Jones hooked listeners with its Van Morrison-esque opening, and introduced the world to...

The Police's ''Every Breath You Take''

Apr 1, 2003, By Robyn Flans

Police drummer Stewart Copeland still can't listen to Synchronicity without thinking of the last tough days he spent recording with The Police. The band had burst onto the scene with its unique sound - punk/new wave energy infused with ska and reggae - on Outlandos d'Amour in 1978, but as the band's popularity grew, a power struggle within the trio ensued....

Rick DiFonzo

Apr 1, 2003, BY GARY ESKOW

You've played screaming guitar solos before the largest audience in entertainment history, tracked some tasty acoustic solos for a picky client named...

The Time Tunnel

Apr 1, 2003, Eddie Ciletti

My first encounter with the EMT-156 dates back to 1982, when I was wrapping up a project with Bay Area band The Mutants (as produced by the late Snakefinger)...

Bob Brockman

Apr 1, 2003, BY BLAIR JACKSON

There are nearly as many different routes to becoming a music producer as there are producers. Some are born into musical families, where choosing a career...

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