Working SmartMay 1, 2003, BY MAUREEN DRONEY Anybody who's spent time in a studio lately has observed what happens when inexperienced producers collide with the endless choices offered by digital recording.... 45TH Annual Grammy AwardsApr 1, 2003, By Blair Jackson There was something for almost everybody on the marathon 45th Annual Grammy Awards telecast, held February 23 at New York City's Madison Square Garden.... Susan TedeschiApr 1, 2003, By David John Farinella Apparently, the two-time Grammy Award-nominated blues-rock artist Susan Tedeschi has never heard the term keep it simple. How do we know that? Consider... Posting and Beaming Into the FutureApr 1, 2003, BY PAUL D. LEHRMAN Welcome to the GSPoT! the kid grinned at me. Mr. Grumpmeier told us you were coming. We're really happy you're going to write about us in Mix magazine.... Jim ScottApr 1, 2003, BY MAUREEN DRONEY When you're tired of sound-alike mixes and you want your music to sound like your band instead of some over-EQ'd, overcompressed, generic dreck, who ya... Porcupine TreeApr 1, 2003, By Bryan Reesman It is rare these days that a band hits the mainstream combining the power to rock ferociously with an intellectual, arty vision. Yet, for more than a... Counting CrowsApr 1, 2003, By Gaby Alter It's been 10 years since the Counting Crows' first single Mr. Jones hooked listeners with its Van Morrison-esque opening, and introduced the world to... The Police's ''Every Breath You Take''Apr 1, 2003, By Robyn Flans Police drummer Stewart Copeland still can't listen to Synchronicity without thinking of the last tough days he spent recording with The Police. The band had burst onto the scene with its unique sound - punk/new wave energy infused with ska and reggae - on Outlandos d'Amour in 1978, but as the band's popularity grew, a power struggle within the trio ensued....
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