The Police's ''Every Breath You Take''

Apr 1, 2003, By Robyn Flans

Police drummer Stewart Copeland still can't listen to Synchronicity without thinking of the last tough days he spent recording with The Police. The band had burst onto the scene with its unique sound - punk/new wave energy infused with ska and reggae - on Outlandos d'Amour in 1978, but as the band's popularity grew, a power struggle within the trio ensued....

Rick DiFonzo

Apr 1, 2003, BY GARY ESKOW

You've played screaming guitar solos before the largest audience in entertainment history, tracked some tasty acoustic solos for a picky client named...

The Time Tunnel

Apr 1, 2003, Eddie Ciletti

My first encounter with the EMT-156 dates back to 1982, when I was wrapping up a project with Bay Area band The Mutants (as produced by the late Snakefinger)...

Cardioid-Carrying Member

Mar 1, 2003, BY EDDIE CILETTI

In my January column, I touched on four variables of low-frequency perception: the Equal Loudness Curve for humans; loudness controls found on consumer...

Disturbed

Mar 1, 2003, By Elianne Halbersberg

Few could have predicted that Disturbed's debut album, The Sickness, would turn the Chicago band into a multi-Platinum international success. But by the...

L.A. Grapevine

Mar 1, 2003, by Maureen Droney

Record One Studios started off the new year with some cool B.B. King sessions in Studio B, engineered by Don Murray and produced by Simon Climie, the...

Double Your Bits, Double Your Fun

Mar 1, 2003, BY OLIVER MASCIAROTTE

Mix takes a look at one of the most basic questions a budding audio novice asks: "Mommy, why do we need 24 bits when our hearing's only 20?"...

The Quest for Power

Mar 1, 2003, by Ned Mann

We all want more power. Admit it. When it comes to the gear we all lust after whether it's a Massenburg EQ or the hottest new plug-in it never seems to...

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Education Guide

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