Cardioid-Carrying Member

Mar 1, 2003, BY EDDIE CILETTI

In my January column, I touched on four variables of low-frequency perception: the Equal Loudness Curve for humans; loudness controls found on consumer...

Disturbed

Mar 1, 2003, By Elianne Halbersberg

Few could have predicted that Disturbed's debut album, The Sickness, would turn the Chicago band into a multi-Platinum international success. But by the...

L.A. Grapevine

Mar 1, 2003, by Maureen Droney

Record One Studios started off the new year with some cool B.B. King sessions in Studio B, engineered by Don Murray and produced by Simon Climie, the...

Double Your Bits, Double Your Fun

Mar 1, 2003, BY OLIVER MASCIAROTTE

Mix takes a look at one of the most basic questions a budding audio novice asks: "Mommy, why do we need 24 bits when our hearing's only 20?"...

The Quest for Power

Mar 1, 2003, by Ned Mann

We all want more power. Admit it. When it comes to the gear we all lust after whether it's a Massenburg EQ or the hottest new plug-in it never seems to...

Nashville Skyline

Mar 1, 2003, by Rick Clark

Twenty minutes east of Nashville is WireWorld, the domain of hard rock producer/engineer/mix master Michael Wagener. During the '80s and beginning of...

Signal Processing and Methods in Surround Mixing

Mar 1, 2003, BY BARRY RUDOLPH

Mix talked to eight professional surround engineer/producers about signal processing in surround. Here's what they had to say....

You Call That Music?

Feb 1, 2003, By Chris Michie

By the end of the 1970s, Frank Zappa had released 28 original albums (including seven two-LP releases), either by the Mothers of Invention or under his own name. Deeply distrustful of large record companies, Zappa had set up his own independent record label ......

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Mix Regional

The Mix Regional section for Mix's May 2014 issue focuses on Nashville. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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