The Last WaltzSep 1, 2002, By Blair Jackson & Chris Michie Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell... RUSH: CREATING VAPOR TRAILSSep 1, 2002, By Bryan Reesman When Canadian progressive rock legends Rush assembled at Reaction Studios in Toronto at the start of 2001, it had been five years since they recorded... E and the EelsSep 1, 2002, By Chris J. Walker An interview with Eels frontman Everett, co-producer John Paris and engineer Ryan Boesch about recording the new E and the Eels' record, Souljacker. Recording and mixing techniques and equipment used during studio production.... Location RecordingReal TimeSep 1, 2002, BY BLAIR JACKSON They are the workhorses of the film sound world, enduring endless days toiling in often hostile environments, arriving on the set before shooting begins... Mike MinklerSep 1, 2002, BY TOM KENNY He is arguably the finest film sound mixer of his generation, with a credit list that stretches across five pages on www.imdb.com and runs the gamut from... Maintenance: The Hidden CostSep 1, 2002, BY EDDIE CILETTI Two years ago, I wrote a three-part series about analog tape machines that generated a surprising amount of feedback from people I wouldn't have expected... The Phantom MenaceAug 1, 2002, By EDDIE CILETTI As August heats up, so does the Minnesota State Fair a mix of old and new, farm animals and related technology, outdoor concerts and unusual foods on... NEIL FINNAug 1, 2002, By David John Farinella For his second solo album, One All, former Crowded House frontman Neil Finn wanted to take a bit of a different approach to songwriting by working with...
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