Mike MinklerSep 1, 2002, BY TOM KENNY He is arguably the finest film sound mixer of his generation, with a credit list that stretches across five pages on www.imdb.com and runs the gamut from... Maintenance: The Hidden CostSep 1, 2002, BY EDDIE CILETTI Two years ago, I wrote a three-part series about analog tape machines that generated a surprising amount of feedback from people I wouldn't have expected... Anglique KidjoSep 1, 2002, By Chris J. Walker An interview with the producers, engineers and Angelique Kidjo about recording her new album, Black Ivory Soul. Recording and mixing techniques and equipment used during studio production for this world music release.... Dennis SandsSep 1, 2002, BY MAUREEN DRONEY Dennis Sands loves his work, and it shows. A three-time Oscar nominee for Best Sound (Cast Away, Contact and Forrest Gump), a TEC Award nominee and a... The Last WaltzSep 1, 2002, By Blair Jackson & Chris Michie Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell... RUSH: CREATING VAPOR TRAILSSep 1, 2002, By Bryan Reesman When Canadian progressive rock legends Rush assembled at Reaction Studios in Toronto at the start of 2001, it had been five years since they recorded... THE MODERN SOUL OF MESHELL NDEGEOCELLOAug 1, 2002, By Chris J. Walker Nowadays, funk music comes in a multitude of forms, ranging from ol' skool R&B to rap and hip hop, modern rock, jazz, Latin and even world music. None... Mark Blaha's BarnAug 1, 2002, BY BARBARA SCHULTZ Sounds like nice work if you can get it: We have 20 acres, nine cats, 15 sheep, two dogs and a lot of grass to cut, and I enjoy my studio, says Mark Blaha,...
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