The Last Waltz

Sep 1, 2002, By Blair Jackson & Chris Michie

Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell...

RUSH: CREATING VAPOR TRAILS

Sep 1, 2002, By Bryan Reesman

When Canadian progressive rock legends Rush assembled at Reaction Studios in Toronto at the start of 2001, it had been five years since they recorded...

E and the Eels

Sep 1, 2002, By Chris J. Walker

An interview with Eels frontman Everett, co-producer John Paris and engineer Ryan Boesch about recording the new E and the Eels' record, Souljacker. Recording and mixing techniques and equipment used during studio production....

Mike Minkler

Sep 1, 2002, BY TOM KENNY

He is arguably the finest film sound mixer of his generation, with a credit list that stretches across five pages on www.imdb.com and runs the gamut from...

Location RecordingReal Time

Sep 1, 2002, BY BLAIR JACKSON

They are the workhorses of the film sound world, enduring endless days toiling in often hostile environments, arriving on the set before shooting begins...

Maintenance: The Hidden Cost

Sep 1, 2002, BY EDDIE CILETTI

Two years ago, I wrote a three-part series about analog tape machines that generated a surprising amount of feedback from people I wouldn't have expected...

NEIL FINN

Aug 1, 2002, By David John Farinella

For his second solo album, One All, former Crowded House frontman Neil Finn wanted to take a bit of a different approach to songwriting by working with...

Mark Blaha's Barn

Aug 1, 2002, BY BARBARA SCHULTZ

Sounds like nice work if you can get it: We have 20 acres, nine cats, 15 sheep, two dogs and a lot of grass to cut, and I enjoy my studio, says Mark Blaha,...

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