THE DIXIE CHICKS COME HOME TO BLUEGRASSNov 1, 2002, by Elianne Halbersberg Deciding on a career was never an issue for Dixie Chicks lead vocalist Natalie Maines. Her father, renowned pedal steel player and producer Lloyd Maines,... L.A. GrapevineNov 1, 2002, by Maureen Droney The street construction that has plagued the Hollywood stretch of Santa Monica Boulevard for several years is finally complete. Much to the relief of... New York MetroNov 1, 2002, by Paul Verna Question: How many artists record and mix -sounding albums at home in rooms so small that the studios can be vacuumed with a Dust-Buster? Answer: Too... David SylvianNov 1, 2002, by Chris J. Walker An interview with David Sylvian and engineer Dave Kent about recording David Sylvian's new records, Damage and Camphor. Recording and mixing techniques and equipment used during studio production.... BIG DOG MIXES CUCHARANov 1, 2002, COMPILED BY SARAH BENZULY Diego Lopez recently finished mixes for the new and soon-to-be-signed group Cuchara at Big Dog Studios in Miami. Designed by John Arthur Design Group,... Classic Tracks: King Floyd's "Groove Me"Nov 1, 2002, by Blair Jackson An interview with producers Tommy Couch and Wolf Stephenson about recording King Floyd's Groove Me song. Recording and mixing techniques and equipment used during studio production.... Recording VocalsNov 1, 2002, By Blair Jackson Looking in on album sessions with rock titan David Bowie, up-and-coming chart-topper Avril Lavigne, the talented and sophisticated singer/songwriter Duncan Sheik and the incomparable soul vocal group Boyz II Men.... SESSIONS & STUDIO NEWSNov 1, 2002 NORTHEAST Inside Studio C at Avatar (NYC), Sheryl Crow and the Dixie Chicks recorded a new version of Fleetwood Mac's with Crow producing and arranging... SOLOMON BURKEOct 1, 2002, By David John Farinella Solomon Burke drove to the Sound Factory in Hollywood with only one thing on his mind: On this session, I did no changes, I did no producing. I just did... Earth, Wind & Fire's PHILIP BAILEYOct 1, 2002, By Chris J. Walker For 31 years, Philip Bailey's soaring falsetto has been one of the hallmarks of Earth, Wind & Fire's dynamically charged R&B sound. Without question,... GRP RECORDSOct 1, 2002, By Chris J. Walker Twenty years ago, composer/keyboardist Dave Grusin and producer Larry Rosen launched GRP Records as an independent outgrowth of the contemporary jazz... Classic Tracks: The Band's "The Night They Drove Old Dixie Down"Oct 1, 2002, By Blair Jackson More than three decades later, it's difficult to put into words just how bold and fresh and affecting those opening lines from “The Night They Drove Old Dixie Down” — sung with such plaintive authority by Levon Helm — sounded wafting from the ol' FM radio back in 1969.... NASHVILLE SKYLINEOct 1, 2002, by Rick Clark One of the most interesting, even surprising, successes in the R&B scene last year was Acoustic Soul, the multi-Platinum Motown debut by India.Arie. The... L.A. GRAPEVINESep 1, 2002, by Maureen Droney Lots of changes at Hollywood's studio bau:ton-designed Atlantis Studios. Besides Studio A's upgrade last year, when an SSL 9080 J Series desk was installed,... NASHVILLE SKYLINESep 1, 2002, by Rick Clark Last month, while I was knocking around Berry Hill's recording scene, I was visiting with a producer friend when a guy bopped in to tell my friend about... The Last WaltzSep 1, 2002, By Blair Jackson & Chris Michie Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell... RUSH: CREATING VAPOR TRAILSSep 1, 2002, By Bryan Reesman When Canadian progressive rock legends Rush assembled at Reaction Studios in Toronto at the start of 2001, it had been five years since they recorded... Anglique KidjoSep 1, 2002, By Chris J. Walker An interview with the producers, engineers and Angelique Kidjo about recording her new album, Black Ivory Soul. Recording and mixing techniques and equipment used during studio production for this world music release.... NEW YORK METROSep 1, 2002, by Paul Verna With the economy in dire straits, the music business in disarray and the studio industry eroded by high-quality home recording, who would possibly want... E and the EelsSep 1, 2002, By Chris J. Walker An interview with Eels frontman Everett, co-producer John Paris and engineer Ryan Boesch about recording the new E and the Eels' record, Souljacker. Recording and mixing techniques and equipment used during studio production.... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound