Oct 1, 2009,
By Jeff Wolpert
It all started with an innocent enough question. A call came from the office of Loreena McKennitt, the golden-voiced purveyor of Celtic-based world music....
Oct 1, 2009,
By Blair Jackson
It's one of the most haunting openings of any debut album. Soft, almost mournful piano and bass set up a slow rhythmic foundation. Then a woman's voice...
Sep 1, 2009,
By Barbara Schultz
Clatter&Din (Seattle, www.clatterdin.com) hosted simultaneous audio/video sessions for a Washington State Lottery TV and radio spot. The commercial, for...
Sep 1, 2009,
By Tom Kenny
You've had quite a career, playing on some big records. What's kept you in Nashville? It's just like anything else, a series of decisions. When I moved...
Sep 1, 2009,
Compiled by Barbara Schultz
Scott Peets' Design FX Remote truck was used to record live performances by James Taylor and band for the soundtrack to Judd Apatow's current film, Funny...
Sep 1, 2009,
By Peter Cooper
On his first night in Nashville, R.S. Field headed for the women's dormitory at Vanderbilt University. There, coeds wiggled around in a little basement...
Sep 1, 2009,
By Bud Scoppa
In 1990, Seattle-based Alice in Chains were opening for Van Halen, Ozzy Osbourne and even Poison, playing a post-punk/metal hybrid that emphasized bitter...
Sep 1, 2009,
By Barbara Schultz
In the May issue of Mix our annual theme issue, which focused on Getting Noticed, Getting Heard, Getting Paid we explored the ways that new music business...
AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound