Oct 1, 2011,
By Sarah Benzuly
Fans of heavy-metal pioneers Anthrax have been holding their breath, unsure of where their band would land next. Their last studio album, We’ve Come for You All, was released in 2003, followed by the shocking announcement that original vocalist Joey Belladonna was returning to the fold—albeit only in stage form—for their ‘80s-era reunion tour. Then, nothing. The tour ended. They still needed a singer.
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Oct 1, 2011,
By Tom Kenny
Produced by Chris “Wolfdog” Schneider and recorded and mixed at Pressure Point Recording (Chicago) by Steve Kovacs, The Night I Was an Alpha Male from Chris Mathien (lead vocals, guitar, programming) and band—bassist Mike Schiff, drummer Aaron Bouslog and keyboardist Peter Wilkkins—provides a full-blown album experience. A regular resident of Pressure Point, Mathien has crafted a sound that is old-school and thoroughly world-beat modern.
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Oct 1, 2011,
By Matt Gallagher
Los Angeles–based producer/composer/musician Adam Hamilton christened his new home studio by producing a new release for William Shatner titled Seeking Major Tom, a “concept record” inspired by David Bowie’s astronaut character and 19 cover songs.
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Oct 1, 2011,
By Blair Jackson
In the public mind, the most famous version of Country Joe McDonald’s Vietnam War protest song, “I-Feel-Like-I’m-Fixin-to-Die Rag,” is the one in the film Woodstock. Asked by festival promoters to kill some time between sets that afternoon in August 1969, McDonald picked up an acoustic guitar that was lying backstage and went out and played a solo set, closing with the already-famous obscene variation on “The Fish Cheer” (“Gimme an F…”) and then going into his anthem. The song galvanized a large swath of the massive crowd and, when the movie came out in the spring of 1970, became one of the most-loved parts of that epic film as a follow-the-bouncing-ball sing-along.
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Oct 1, 2011,
By Blair Jackson
It’s been five years since Evanescence put out its last album, The Open Door, which was also the hard-rockers’ first Number One album. Since then, there have been changes in the group: In the middle of a year-long world tour to support that disc, rhythm guitarist John LeCompt and drummer Rocky Gray departed and were replaced by two members of Dark New Day—guitarist Troy McLawhorn and drummer Will Hunt. Both drifted in and out of the band over a period of a couple of years before ultimately joining Evanescence for good. The core of singer/songwriter/keyboardist Amy Lee, lead guitarist Terry Balsamo and bassist Tim McCord remained intact.
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Oct 1, 2011,
By David Weiss
Prepare to meet one of Ireland’s most audacious exports in some time, but first a little history—or rather, a lot of history when you’re talking about singer, composer and orchestrator Julie Feeney. Of course, you could simply absorb her most recent album, Pages (2009, mittens), without knowing any history about Feeney, and that alone would be sufficient. A 12-song collection, Pages instantly hooks listeners with its remarkably adept merging of influences classical to thoroughly modern.
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Sep 1, 2011,
By Blair Jackson
There have never been so many ways to have a hit. Take Christina Perri’s surprise 2010 smash “Jar of Hearts.” On June 29, 2010, Perri was an unknown 24-year-old singer/songwriter living in Los Angeles. Originally from the Philadelphia area, she’d knocked around L.A. for a couple of years looking for a break, moved back to Philly near the end of 2009, wrote the emotional “Jar of Hearts” during her time there and then returned to L.A., where she worked as a waitress by day and did some recording.
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Sep 1, 2011,
By Barbara Schultz
Charlie Rich had made the rounds. He’d joined and left several labels by the time he signed with Epic in 1967 on the recommendation of producer/executive Billy Sherrill. He’d worked as a session musician, playing piano for Judd Phillips’ Judd Records, and then for Judd’s brother Sam at Sun Records and the Phillips International label, where he also wrote and recorded a few cuts of his own, including the Elvis-esque hit single “Lonely Weekends.” And he’d done “Big Boss Man” for RCA/Groove and “Mohair Sam” for Smash Records.
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NAMM 2011: Fairlight CMI
State of NAMM 2011