Aug 1, 2011,
By Matt Gallagher
Non-profit Women’s Audio Mission (WAM) recorded a trio of master Mongolian musicians, with funding from the Alliance for California Traditional Arts. WAM founder and chief engineer Terri Winston oversaw the tracking sessions with engineer Jenny Thornburg, while Thornburg mixed the album at WAM; Michael Romanowski completed mastering at his facility. “They have to be recorded together and have really close sightlines,...
Jul 1, 2011,
By Matt Gallagher
On June 14, Brooklyn-based singer/songwriter Garland Jeffreys released the rock- and blues-oriented The King of In Between, his first album of entirely new work in 14 years. Jeffreys co-produced his latest project with guitarist Larry Campbell (Bob Dylan, Levon Helm) and brought in top musicians Steve Jordan (drums), Mike Merritt (bass), Duke Levine (guitar) and Brian Mitchell (keyboards). It also includes guest artists Lou Reed, Duncan Sheik and Jeffreys’ 14-year-old daughter, Savannah. Jeffreys and company recorded basic tracks at Brooklyn Recording, while overdubs took place in One East Recording in Manhattan.
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Jul 1, 2011,
By Sarah Benzuly
What started out as demos turned into a full-fledged solo album. Tokyo Police Club keyboardist Graham Wright has always had songs percolating in his brain—even before TPC was formed—and he finally got his chance. Working again with TPC engineers Jay Sadlow and Dean Marino, Wright snatched whatever free time he had (and cash, as he was self-funding this project) and headed into Chemical Sound (Toronto), Sadlow and Marino’s studio. “I basically started recording songs with Dean and Jay in the beginning of 2009, but I thought I was making demos,” Wright recalls. “I had written a bunch of songs and I wanted to do something with them. We recorded two songs each day, and when I sent [the demos] to my manager, he said, ‘They sound like you’re making proper recordings.’ So from them on, it became more [a full album].”
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Jul 1, 2011,
By Sarah Benzuly
Released in late June, Taking Back Sunday’s self-titled fifth studio album marks the return of the band’s original lineup from their 2002 debut, Tell All Your Friends. Vocalist Adam Lazzara, guitarist Eddie Reyes and drummer Mark O’Connell reunited with vocalist/guitarist John Nolan and bassist Shaun Cooper, who departed the band in 2003. And from the way Nolan recalls their reunion, it was all O’Connell’s idea. “As things were winding down for Taking Back Sunday and their last album cycle,” Nolan says, “he started talking to Eddie and Adam about this idea [of reuniting the band] and then got in contact with Sean and I. Everyone was pretty skeptical about it at first—of whether or not this was going to work—but everyone was open and we started reconnecting and talking again, and then little by little, it led to us getting back together again.”
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Jul 1, 2011,
By Barbara Schultz
No one can say what styles of music rock ’n’ roll icon Buddy Holly might have recorded had he lived to see his 75th birthday this year. Would he have been into New York art-punk when Lou Reed and Patti Smith came along? The electronic blues of Florence and The Machine? The neo-soul of Cee Lo Green? No telling, but we do know that these artists and countless other have been inspired by all the music Holly put out before he died at age 22.
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Jul 1, 2011
Alhough multi-instrumentalist Edgar Winter originally had strong interests in science and engineering, the success of his blues-minded brother, Johnny Winter, changed that. At Johnny Winter’s behest, Edgar Winter played on his brother’s albums and performed in gigs in between sets at his brother’s shows.
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Jul 1, 2011,
By Sarah Benzuly
Grammy-nominated engineer/producer Count and DJ Shadow are back in the studio working on a new album, with Count at the helm in his space. “Adam [Savage] from MythBusters built these things on the side of my Aeron chair that allow me to navigate with my arms down by my side rather than having to reach forward,” Count says. ...
Jun 1, 2011,
By Matt Gallagher
From April 25-27, the Berklee College of Music and MIDEM, in association with Harvard University’s Berkman Center and Business School, presented the “Rethink Music: Creativity, Commerce and Policy in the 21st Century” conference, which sought new models for creating and distributing music. One discussion panel—Amanda Palmer, Neil Gaiman, Ben Folds and Damian Kulash—challenged the norms of pop music production and distribution in the hours before their scheduled appearance. “All four of us are well known for using the Internet creatively,” Palmer says. “I came up with the idea that we should do some non-traditional collaboration.”
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NAMM 2011: Fairlight CMI
State of NAMM 2011