Shift_Record
Jan 1, 2003 12:00 PM, COMPILED BY SARAH BENZULY
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Recording Instruments:
Integrating Real Sounds
October 29th
Brought to you by Ex'pression College for Digital Arts and Remix
If you're a producer of hip-hop, electronic or other types of music and want tips on incorporating recorded acoustic instruments into mostly-electronic productions don't miss this webcast.
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Nashville Stories
Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.
Remix Hotel News
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Remix Hotel Atlanta 2008: Sept. 18-20 |
he Remix Hotel juggernaut is heading back to SAE Atlanta„with Partners Rane, Serato, Pioneer, Roland, iStandard and others„for another technology-filled weekend of classes, panels and guest appearances. And this year, All Access registration gets you FREE entrance to the Atlantis Music Conference and Festival! That means double the panels, performances and more. Register today!.
This Month in Mix
Finally, a commercial that audiophiles can get behind. In the new Nissan Altima commercial, DJs Ming+FS (www.mingandfs.com) portray an experimental production team who mike every conceivable sound the Altima makes (from squealing tires, an engine revving up, the whir of moving the car seat back and forth and plenty of car door/trunk slams) with an AKG 414 mic and a Tascam Porta-DAT. The car sounds were recorded by Mo-phonics (Venice Beach, Calif.) and transferred to Pro Tools.
“We kept the setup really simple by picking the car sounds that sounded best naturally,” the duo said. “For example, the car door and trunk slamming were used for the kick drum.”
At the duo's studio, Madhattan Studios (Hell's Kitchen, New York City, which is pictured at the end of the spot), each sound byte was loaded into an E-4XT Ultra sampler and sequenced via Mac G4 Dual Processor running Digital Performer 3; mixing took place through a Yamaha 02R. “Besides pitching the sounds using the sampler, we didn't really effect or EQ the sounds much,” Ming+Fs said. “The delay on the melody line was added in DP3 using a multitap plug-in.”
Send your “Current” news to Sarah Benzuly at sbenzuly@primediabusiness.com.
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 