Up, Down, All AroundMay 1, 2003, BY RON FRANKLIN The theory goes like this: If people buy fewer CDs, then record company budgets shrink and recording studios make less money. This means that studios don't buy as much new equipment, so the technology companies that build those wonderful audio toys experience a drop in business.... Dualtone: Small and ProudMay 1, 2003, BY BARBARA SCHULTZ Scott Robinson and Dan Herrington - partners in the two-year-old, Nashville-based Dualtone label - have earned their badges and wear them proudly.... Grass-Rooted CreativityMay 1, 2003, BY MAUREEN DRONEY In Nashville, but off of the beaten path both geographically and client-wise is Alex the Great Recording, a residential, rock-oriented studio owned by... Studios Fight BackMay 1, 2003, BY MAUREEN DRONEY From the rise of independent studios in the 1960s and '70s, through the boom years of late '90s hip hop and pop, studios have had their ups and downs. With budgets slashed and home studios the norm, there's less business to go around. Is this the end for commercial recording studios?... A Fine MessMay 1, 2003, BY BLAIR JACKSON There must be some way out of here, said the joker to the thief There's too much confusion, I can't get no relief Bob Dylan, All Along the Watchtower... Getting NoticedMay 1, 2003, BY MAUREEN DRONEY Fresh talent is what keeps the music industry vital and, ultimately, profitable. The paradox? There's more and more music being made, but fewer and fewer traditional ways for it to gain attention.... New York MetroApr 1, 2003, by Paul Verna For years, world-class studios in Los Angeles and Austin, Texas, bore the name Brooklyn, confusing would-be clients and rubbing salt in the wounds of... DibS on EngineRoom AudioMar 1, 2003, COMPILED BY SARAH BENZULY Mixer/tracking engineer David Shackney has opened the doors to DibS Reaction, an independent Pro Tools-based mixing suite inside New York City-based EngineRoom...
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