L.A. Grapevine

Oct 1, 2000, Maureen Droney

At The Hook in North Hollywood, I found RCA artists Sugar Bomb hard at work, overdubbing with hot young producer Mark Endert. Endert, just off his first...

NY METRO REPORT

Oct 1, 2000, Gary Eskow

The last time we checked in with Bob Sadin, he was putting the final touches on Gershwin's World, the Herbie Hancock record that would pull down several...

NASHVILLE SKYLINE

Oct 1, 2000, Dan Daley

Nashville's upper tier of studios is stabilizing after a long round of consolidation, but the city's baseline of facilities is growing again. Engineers...

HOLLYWOOD BUSINESS

Oct 1, 2000, Roger Maycock

CONSOLIDATION HITS THE POST-PRODUCTION SERVICES INDUSTRYFor the past few years, the global business economy has experienced an almost nonstop metamorphosis....

L.A. Grapevine

Sep 1, 2000, Maureen Droney

It was obvious that something different was up on the Universal lot as I idled my car in line one Friday night, waiting to get into a taping of Jimmy...

NY METRO REPORT

Sep 1, 2000, Gary Eskow

Purists may argue that tracking and mixing on analog tape still yields a superior product, but digital audio workstations have become necessary equipment....

NASHVILLE SKYLINE

Sep 1, 2000, Dan Daley

As noted in this column before, Emerald Recording was the first of the traditional facilities to change its model radically. It has not only grown by...

L.A. GRAPEVINE

Aug 1, 2000, Maureen Droney

Taking a break from triple-digit Valley heat, I headed over the hill to Satellite Park, the Malibu studio of producer/engineer Geza X and his partner,...

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