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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.











  






		
			











		
	










	



	

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White Mark Celebrates

	
Jan  1, 2008, 
	Compiled by Sarah Benzuly
	
	

	
	
Acoustic and technical design company White Mark Ltd. (www.whitemark.com) celebrated its tenth anniversary by completing its 100th audio post-production...

	





	
Yahoo! Originals Studios

	
Aug  1, 2007, 
	By Harrison Surtees
	
	

	
	
Like Spinal Tap, whose amps go to 11, Yahoo! is cool-plus-one. It's part of the company culture, and it's a philosophy that has been embraced over the...

	





	
WSDG En Espanol

	
Jun  1, 2007, 
	Compiled by Sarah Benzuly
	
	

	
	
The Walters-Storyk Design Group has opened a full-service office in Mexico City. Developed under the guidance of Sergio Molho (CEO), longtime head of...

	





	
Class of 2007

	
Jun  1, 2007
	
		
	

	
	
Great Divide Studios Jamie Rosenberg's Great Divide Studios in Aspen, Colo., is the fourth facility to bear the Great Divide name, and it's a huge upgrade...

	





	
Prism Productions

	
Jun  1, 2007, 
	Compiled by Barbara Schultz
	
	

	
	
In our annual design issue, Mix focuses a lot of attention on big-budget, big-name studio installations, but we'd be remiss if we didn't acknowledge D.I.Y.'ers...

	





	
Down to Earth

	
Jun  1, 2007, 
	Compiled by Barbara Schultz
	
	

	
	
Just after putting together our Class of 2007 design feature, we learned of more refurbished studios such as musician/engineer Drew Youngs' Earthwire...

	





	
Designers Are Your Friends

	
Jun  1, 2007, 
	Thomas A. D. Kenny Editorial Director
	
	

	
	
David Schwartz, co-founder of Mix and the original author of this space, used to say, If you want to know where the industry is headed, talk to the designers....

	





	
The Taming of the Room

	
Jun  1, 2007, 
	By Robert Hanson
	
	

	
	
In an ideal world, all audio would be produced in purpose-built studios that would allow for perfect isolation and accurate monitoring across the entire...

	






            
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