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Ear to the Ground Studio

	
Feb  1, 2005, 
	By Sarah Jones
	
	

	
	
Deep in the Santa Cruz Mountains, a rutted dirt road twists upward through the forest. As you negotiate hairpin turns, pits and potholes, it grows darker...

	





	
Demand for Mastering Shows in New Rooms

	
Dec  1, 2004, 
	Compiled by Sarah Benzuly
	
	

	
	
TRUTONE, NEW YORK CITY Co-developed by John Storyk of Walters-Storyk Design Group, Trutone's mastering studio on West 44th Street in New York City the...

	





	
A Fantasy Studio Shopping Spree

	
Oct  1, 2004, 
	By Strother Bullins
	
	

	
	
We all know what's been happening to the studio economy lately. As labels squeeze their budgets and major studios struggle to make the lease, more and...

	





	
Dr. Trey

	
Oct  1, 2004, 
	By Breean Lingle
	
	

	
	
It may be difficult to imagine a ukulele player from Oahu loosely modeling his music producing career after gangster rap's berproducer, Dr. Dre, but Trey...

	





	
Grammy Listening Room Gets Facelift

	
Oct  1, 2004, 
	Compiled by Sarah Benzuly
	
	

	
	
The brainchild of producer Phil Ramone, with help from Peter Chaikin (Harmon Pro Group), John Eargle, George Augspurger and Leslie Lewis, the Recording...

	





	
Which Came First—The Studio or the Band?

	
Aug  1, 2004, 
	By Heather Johnson
	
	

	
	
Keyboardist Walter Martin, drummer Matt Barrick and guitarist Paul Maroon hadn't even built a wall, much less manned a console, before building their...

	





	
Homeward Bound—The Move to the Small Studio

	
Jul  1, 2004, 
	By Bob Hodas
	
	

	
	
[During the past 25 years, acoustical consultant Bob Hodas has worked in studios all over the world, from Sony Music Entertainment in Tokyo and Abbey...

	





	
Post Openings—Dallas Audio Post 

	
Jun  1, 2004
	
		
	

	
	
Audio production studio Dallas Audio Post's new 6,000-square-foot home features three 5.1-ready control rooms and recording booths and a 3.5-terabyte...

	






            
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