Ear to the Ground StudioFeb 1, 2005, By Sarah Jones Deep in the Santa Cruz Mountains, a rutted dirt road twists upward through the forest. As you negotiate hairpin turns, pits and potholes, it grows darker... Demand for Mastering Shows in New RoomsDec 1, 2004, Compiled by Sarah Benzuly TRUTONE, NEW YORK CITY Co-developed by John Storyk of Walters-Storyk Design Group, Trutone's mastering studio on West 44th Street in New York City the... A Fantasy Studio Shopping SpreeOct 1, 2004, By Strother Bullins We all know what's been happening to the studio economy lately. As labels squeeze their budgets and major studios struggle to make the lease, more and... Dr. TreyOct 1, 2004, By Breean Lingle It may be difficult to imagine a ukulele player from Oahu loosely modeling his music producing career after gangster rap's berproducer, Dr. Dre, but Trey... Grammy Listening Room Gets FaceliftOct 1, 2004, Compiled by Sarah Benzuly The brainchild of producer Phil Ramone, with help from Peter Chaikin (Harmon Pro Group), John Eargle, George Augspurger and Leslie Lewis, the Recording... Which Came First—The Studio or the Band?Aug 1, 2004, By Heather Johnson Keyboardist Walter Martin, drummer Matt Barrick and guitarist Paul Maroon hadn't even built a wall, much less manned a console, before building their... Homeward Bound—The Move to the Small StudioJul 1, 2004, By Bob Hodas [During the past 25 years, acoustical consultant Bob Hodas has worked in studios all over the world, from Sony Music Entertainment in Tokyo and Abbey... Post Openings—Dallas Audio PostJun 1, 2004 Audio production studio Dallas Audio Post's new 6,000-square-foot home features three 5.1-ready control rooms and recording booths and a 3.5-terabyte... Most Popularadvertisement PollsTalkBack
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