L.A. Grapevine, November 2009

Nov 1, 2009 12:00 PM, By Bud Scoppa

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Harvey Mason Jr.’s new domain is the former Track Records facility in North Hollywood

Harvey Mason Jr.’s new domain is the former Track Records facility in North Hollywood

North Hollywood's Track Records, built in 1980 by producer Brian Ahern for his then-wife Emmylou Harris, is under new ownership. In early 2008, the facility — one of the last to be constructed during the golden age of L.A. rock studios, and the birthplace of memorable hits from Jane's Addiction to Maroon 5 — was renovated by A-list writer/producer Harvey Mason Jr., who upgraded the two-building complex and renamed it Mason Sound. Since then, it's been the site for all of his projects, with such clients as Jennifer Hudson, Britney Spears, Leona Lewis and Whitney Houston.

Harvey Mason Sr., a jazz drummer and longtime member of Fourplay, was signed to Arista while I was doing West Coast A&R at the label in the late '70s and early '80s, and it's cool that Harvey Jr. is now working with Clive Davis, just as his dad once did. They worked together on two tracks for Houston's comeback album, I Look to You, meeting during Davis' frequent visits to L.A. in his bungalow at the Beverly Hills Hotel. “Clive still gives as much input as ever,” says Mason Jr., sitting alongside his wife, Jeannine Sharp, on a leather couch in one of the studio's comfortable lounges.

The younger Mason practically grew up in studios before dedicating himself to basketball. At the University of Arizona, he played for legendary coach Lute Olson on a team that made it to the 1988 Final Four before blowing out his knee. Fortunately, he had another elevated skill set, and soon after graduation began his career in music. More recently, Mason Jr. combined his two loves, producing the LeBron James feature documentary More Than a Game and executive producing the soundtrack out on his own Harvey Mason Music, a joint venture with Interscope. Much of the work was done right here.

The retired Olson and several of Mason Jr.'s Arizona teammates attended the movie's premiere the weekend before I visited, and Sharp says her husband is “still coming down from his big night. That project was his baby.”

He began working at Mason Sound in early 2008 after spending six months on the renovation, “getting it to feel right,” says Mason Jr.. Common areas were stripped down to the walls and studs — but recording spaces were left intact. The earth tones of the décor evoke Track Studios' retro vibe while feeling thoroughly contemporary.

Mason Jr. and Sharp give me a quick tour, first upstairs, which boasts a roomy, well-appointed lounge with a recess in the wall just big enough for him to stretch out his long frame and crash or chill out and watch TV on the flat screen. “It's my private spot,” he says.

We descend the stairs and head down the long hallway — its walls covered with rows of Mason Jr.'s Gold and Platinum records — to Studio B. Aside from some tasteful cosmetic touches and a major main speaker system overhaul, B is essentially unchanged from its original state, though the previous owners installed a late-model, 80-channel SSL 9000J in the 20×21-foot control room, adjacent to a righteously old-school 30×40×18 tracking room, which was recently used to record strings and a choir for the soundtrack.






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