Viewed by users in over 225 countries Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.
Backstage at the 2010 Grammy Awards, Shure's Mark Brunner makes a plea for the pro audio community to help guarantee wireless spectra for wireless audio applications. Comments from pro audio users are needed regarding Proceeding 10-24 and can be submitted online to the FCC at fjallfoss.fcc.gov/ecfs. The deadline is February 20, 2010, so act soon.
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Eric Olsen (aka DJ Rickshaw), the program director for "The Bunny"—Phish radio—explains the operations of live broadcasts made during the band's shows.
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In this interview inside the Metro Mobile Remote during Festival 8 in Indio, Calif., audio engineer Timothy Powell talks about recording techniques used in Phish's many live shows.
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At the recent 2009 AES show in New York, Yamaha unveiled its "Rolling Showroom," a 53-foot, double-expanding trailer that will make appearances at national tradeshows and events throughout North America. The unit is loaded with the latest pro audio gear from Yamaha and NEXO, and Yamaha's Marc Lopez gives us an exclusive tour.
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FOH mixer Nick Simons takes us on a tour of The Joint, the new 4,100-seat performance venue at the Hard Rock Casino in Las Vegas, which features an extensive d&b audiotechnik installation with remote monitoring of all functions, Digidesign D-Show Profile mixers and BSS London control of processing and zone control.
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At InfoComm 2009, QSC unveils Q-Sys, an integrated system platform encompassing everything from the audio input to loudspeakers, with all the audio routing, processing, control and monitoring necessary for any facility. George Petersen talks to QSC's Richard Zwiebel and Gerry Tschetter in this exclusive preview. Find out more information about the QSC Q-Sys.
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Front of house mixer Andrew "Fletch" Fletcher talks about doing the sound for the Lincoln Memorial show in Washington DC, two days before the 2009 presidential inauguration, for a crowd of 400,000 people.
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Interviews with FOH engineer Brian Ruggles, monitor mixer Mike Pirich and crew during setup for Billy Joel's "The Last Play at Shea" show, the last performance held at New York's historic Shea Stadium. ...
FOH mixer Jon Garber and monitor engineer Stewart Delk talk about using the Studer Vista 5 SR digital live sound console on the Rascal Flatts' 2008 "Still Feels Good" tour....
Mix's Tom Kenny's chats with Ultra Sound general manager (and Primus FOH mixer) Derek Featherstone about the live sound requirements for staging this huge outdoor festival event. ...
The Mix Regional section for Mix's June 2013 issue visits Chicago. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.