Post and Broadcast
‘Wicked’ – A Mix of Sound and Song, Part 3
The songs of the hit musical 'Wicked' were performed live on set, creating an extra challenge for the film's audio team.
Post and Broadcast
‘Wicked’ – A Mix of Sound and Song, Part 2
The songs of the hit musical 'Wicked' were performed live on set, creating an extra challenge for the film's audio team.
Post and Broadcast
‘Wicked’ – A Mix of Sound and Song, Part 1
The songs of the hit musical 'Wicked' were performed live on set, creating an extra challenge for the film's audio team.
Post and Broadcast
Inside The Sound Of ‘Beverly Hills Cop: Axel F.’ – Part 2
Paul Massey and Chris Diebold create a big, dynamic, theatrical-style mix for 'Beverly Hills Cop: Axel F.' with a nod to that classic ’80s...
Post and Broadcast
Inside the Sound of ‘Beverly Hills Cop: Axel F.’ — Part 1
Paul Massey and Chris Diebold create a big, dynamic, theatrical-style mix for 'Beverly Hills Cop: Axel F.' with a nod to that classic ’80s...
Post and Broadcast
The Dynamic Sound of Dune: Part Two
Sandworms, epic battles and big low-end dance alongside intimate dialog, shifting winds and voices from inside the head—all in a day’s work for the...
Films-TV
Inside the Sound of ‘Killers Of The Flower Moon’
For "Killers of the Flower Moon," legendary director Martin Scorsese and his longtime collaborators created an intentionally spare soundtrack based on quiet focus and...
Post and Broadcast
How We Hear the World In ‘32 Sounds’
Documentary filmmaker Sam Green taps sound designer Mark Mangini to help explore and explain everyday audio perception—with binaural recording and playback—in ’32 Sounds.’
news
Inside The Sound of ‘Everything Everywhere All At Once’
'Everything Everywhere All At Once' features unusual, creative concepts, so its sound team had to get equally out-there.
Post and Broadcast
Sound for ‘The Woman King’
Despite having 15 weeks total for post sound, The Woman King's richly layered and vibrant soundtrack doesn’t suggest a compressed schedule at all.
Post and Broadcast
Mixing It Up With Jason LaRocca
Scoring mixer/producer Jason LaRocca draws equally on his punk rock roots and time working with Mark Isham as he mixes everything from Amazon's 'The...
Post and Broadcast
The Sound of ‘Everything Everywhere All At Once’—Part 3: The Everything Bagel
‘Everything Everywhere All At Once‘ features unusual, creative concepts, so its sound team had to get equally out-there.
post-type
Everything Everywhere All At Once—Part 2: Recording A Multiverse!
'Everything Everywhere All At Once' features unusual, creative concepts, so its sound team had to get equally out-there.
Post and Broadcast
The Sound of ‘Everything Everywhere All At Once’
'Everything Everywhere All At Once' features unusual, creative concepts, so its sound team had to get equally out-there.
Post and Broadcast
Composer Germaine Franco Brings ‘Encanto’ to Life, Pt. 2
Composer Germaine Franco Finds Magical Realism in Music with the Instruments and Voices of Colombia
Post and Broadcast
Composer Germaine Franco Brings ‘Encanto’ to Life, Pt. 1
Composer Germaine Franco Finds Magical Realism in Music with the Instruments and Voices of Colombia
Films-TV
The Period Sound of ‘Passing’
Capturing the intimate dialogue of a noisy 1920s New York City meant using the tools of the 2020s—including Dolby Atmos.
SFP
Jaime Baksht and Estudio Astro LX
From Pan’s Labyrinth to the Oscar-winning Sound of Metal, film mixer Jaime Baksht has drawn international attention to Mexico City.
Films-TV
The Sound Women of ‘Happiest Season’
Audio for the recent Hulu comedy, "Happiest Season," was handled by a nearly all-woman post sound team.
SFP
Film Production in the Time of COVID
What it Is Like to Work in Film Production in the Time of COVID
Sponsored
For Your Consideration — Emmy Awards 2021: Servant S2, Ep 204, “2:00”
Buzzing, Anxious, Uneasiness, Based on Organic Sounds
Sponsored
For Your Consideration — Emmy Awards 2021: Ted Lasso, Ep 110, “The Hope That Kills You”
Creating the Roar of a Crowd, When You Have No Crowd
Recording
The Sound Design of ‘The Reason I Jump’
Composer Nainita Desai Takes Found Sounds, Improv Orchestra and Gives Voice to the Nonverbal
Profiles
Producer Michael Moritz
Pop, Theater and Benefit Concerts—Bringing It All Together, Remotely
Films-TV
The Future of Post-Production Sound
Work has been getting done, and production is slowly picking up again, but most agree that after six months of shutdowns and changing protocols,...
Films-TV
Sound Aboard ‘Snowpiercer ‘
From Perpetual Motion Engine to Class-Distinct Foley, the Track Keeps Moving
Films-TV
The Art of On-Set Sound Capture
For Tod A. Maitland, production sound is a family business. His father, Dennis Maitland, spent his early career handling sound on the Jackie Gleason...
Featured
It’s Film Sound Awards Season!
A Baker’s Dozen of Movies in the Hunt for Oscar, Golden Reel and CAS Awards
Films-TV
The All-Powerful Sound of ‘Captain Marvel’
It's a big soundtrack, to accompany the biggest of the Marvel superheroes, and it all came out of the team at Skywalker Sound, led...
Films-TV
Documentary Sound: Real or Re-Create?
Sound Designer Bernhard Zorzi on How to Interweave Reality and Enhancement in Documentary Filmmaking
Technology
Two Consoles, One Surface
Frozen Fish Design Integrates Avid S6, Neve DFC, Euphonix System 5 Surfaces
Facilities
Composer Nathan Barr
A Stunning New Studio, a Rare Wurlitzer Organ, and the Tones of a Human Femur
