Los Angeles, CA (December 6, 2024)—Direct from Mix Presents Sound For Film: Awards Season, join us as we talk with the audio teams behind awards season’s biggest nomination contenders—Alien: Romulus, Gladiator II, Deadpool & Wolverine, Wicked, Emilia Perez, Joker: Folie À Deux, Kingdom of The Planet of the Apes, Dune: Part Two, Maria, Nickel Boys, Nosferatu, Conclave and The Wild Robot.
Every year, Mix Presents Sound For Film: Awards Season puts you in the room with the sound teams that work on the biggest films! It’s your opportunity to learn more about the films presented today, each ready to be nominated for the Academy Awards, MPSE Golden Reel Awards and CAS Awards. If you missed it, don’t fret—you can watch all the panels right now for free!
The Sound of ‘Alien: Romulus’
Lee Gilmore, Sound Designer/Supervising Sound Editor
Will Files, Re-Recording Mixer/Supervising Sound Editor
The Sound & Music of ‘Conclave’
Volker Bertelmann, Composer
Valentino Giannì, Production Sound Mixer
Ben Baird, CAS, Re-Recording Mixer/Sound Designer
The Sound & Music of ‘Deadpool & Wolverine’
Rob Simonsen, Composer
Craig Henighan, Co-Supervising Sound Editor/Re-Recording Mixer
Ryan Cole, Co-Supervising Sound Editor
The Sound of ‘Dune: Part Two’
Richard King, Supervising Sound Editor/Sound Designer
Doug Hemphill, Re-Recording Mixer
Ron Bartlett, Re-Recording Mixer
The Sound of ‘Emilia Pérez’
Cyril Holtz, Sound Supervisor/Re-Recording Mixer
Aymeric Devoldère, Supervising Sound Editor
Hortense Bailly, Supervising Voice Editor
Carolina Santana, ADR Supervisor
The Sound of ‘Gladiator II’
Matt Collinge, Supervising Sound Editor/Re-Recording Mixer
Danny Sheehan, Supervising Sound Editor
Stephane Bucher, Production Sound Mixer
The Sound of ‘Joker: Folie À Deux’
Erik Aadahl, Supervising Sound Editor/Sound Designer
Ethan Van Der Ryn, Supervising Sound Editor/Sound Designer
Dean Zupancic, Re-Recording Mixer
Tom Ozanich, Re-Recording Mixer
Jason Ruder, Supervising Music Editor/Executive Music Producer
Steve Morrow, Production Sound Mixer
The Sound of ‘Kingdom Of The Planet Of The Apes’
Ai-Ling Lee, Re-Recording Mixer/Sound Designer
Tobias Poppe, Sound Designer/Supervising Sound Editor
Andy Nelson, Re-Recording Mixer
Mark Van Kool, Production Sound Mixer
The Sound of ‘Maria’
John Warhurst, Supervising Sound Editor
Gwennolé Le Borgne, Supervising Sound Editor
Lars Ginzel, Re-Recording Mixer
Mac Ruth, Production Sound Mixer
The Sound & Music of ‘Nickel Boys’
Tony Volante, Co-Supervising Sound Editor/Re-Recording Mixer
Daniel Timmons, Co-Supervising Sound Editor/Re-Recording Mixer
Mark LeBlanc, Production Sound Mixer
Alex Somers, Co-Composer
Scott Alario, Co-Composer
Nicholas Monsour, Editor
The Sound & Music of ‘Nosferatu’
Robin Carolan, Composer
Damian Volpe, Supervising Sound Editor (Effects)/Supervising Sound Designer/Re-Recording Mixer
Stephen Little, Supervising Sound Editor (Dialog)
Michael Fentum, Sound Designer
The Sound of ‘Wicked’
Andy Nelson, Re-Recording Mixer
Nancy Nugent Title, Supervising Sound Editor
John Marquis, Supervising Sound Editor and Sound Design/Re-Recording Mixer
Simon Hayes, Production Sound Mixer
The Sound & Music of ‘The Wild Robot’
Randy Thom, Supervising Sound Designer
Brian Chumney, Supervising Sound Editor
Leff Lefferts, Supervising Sound Editor/Re-Recording Mixer
Gary A. Rizzo, CAS, Re-Recording Mixer
Kris Bowers, Composer
