PMC to Showcase Reference Monitoring at Mix Sound for Film & TV Event
Expert panel on reference monitoring includes sound team from Ozark, scoring mixer Dennis Sands, and Scott Kramer, head of audio technologies at Netflix.
Update your browser to view this website correctly. Update my browser now
Expert panel on reference monitoring includes sound team from Ozark, scoring mixer Dennis Sands, and Scott Kramer, head of audio technologies at Netflix.
When the Primetime Emmy Awards are handed out in mid-September, the sound team for the Netflix series Stranger Things will be looking at the...
Mix Editor Tom Kenny Speaks with the Sound Production Team Behind the Emmy-Nominated Third Season of the Hit Series.
The sound and music crew on Stranger Things has already brought home plenty of trophies, with a third Emmy Awards season on the near...
The hit Netflix series, with its eerie, signature soundscape, took home Primetime Emmy Awards for Sound Editing in its first two seasons. Now they're...
Following years working at Interscope Records’ studio, Mert Ozcan went on to co-found The Record House. Now armed with a brand-new Dolby Atmos mix...
Re-Recording Mixer James Parnell Crafts the Lush, Layered Sonic Worlds of Dolly Parton’s 'Heartstrings'
Sound Designer Bernhard Zorzi on How to Interweave Reality and Enhancement in Documentary Filmmaking
HOLLYWOOD, AUGUST 12, 2019 – Re-recording mixer Tom Marks, CAS, is passionate about his craft and the storytelling aspect of his job. He was...
Improvisations by Ray Romano and Mark Duplass captured with DPA and Wisycom.
“If I’m restoring a film, I adopt the attitude of, ‘How might the filmmakers had done it if they had Atmos tools at the...